{"id":"jianzhi","no":268,"name":"Jianzhi (Chinese Paper Cutting)","ja":"剪紙","era":"6th century–","family":"工芸運動","kind":"技法","collection":"Dictionary expansion 14","addedAt":"2026-08-18","source":{"title":"UNESCO — Chinese paper-cut","url":"https://ich.unesco.org/en/RL/chinese-paper-cut-00219"},"reference":{"status":"verified","pageUrl":"https://ich.unesco.org/en/RL/chinese-paper-cut-00219","credit":"UNESCO — Chinese paper-cut","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/DogYearPaperCutting.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:DogYearPaperCutting.jpg","credit":"戌年の剪紙（CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/100%20Fu%20(a%20papercut).JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:100%20Fu%20(a%20papercut).JPG","credit":"百福（剪紙） — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"紅い紙を鋏と刀で切り抜く中国の切り紙。窓花として春節の窓を飾り、線の連結だけで吉祥文様と物語を編む正負の図形設計が、無形文化遺産として今も受け継がれる。","cues":["紅一色の切り抜き","連結を保つ線の設計","吉祥文様","窓に貼る透過光"],"intents":["親密","遊び","懐かしさ"],"works":["祝祭の装飾や、光を透かして見せる窓面のディスプレイの設計","一色で吉祥を伝える包装や、切り抜きを生かした標章の造形"],"recipe":{"type":"文字も切り抜きで作り、画の一部として輪郭を繋げたまま残す","layout":"円か方形の外枠を先に決め、内側を対称に割って余白を散らす","material":"紅一色の紙を折って切り、線が切れない太さを保って抜く"},"avoid":"図案を細くしすぎると紙が繋がらずに切り離れ、正負を同時に設計するという切り紙の前提そのものが崩れる。","colors":["#f6f5f5","#d70d13","#880408"],"motif":"graphic","pair":["papel-picado","linocut"],"study":["窓花と春節","陝西の剪紙の名手たち","正負の図形（陰刻と陽刻）"],"en":{"essence":"Chinese paper cutting works red paper with scissors and knife. As window flowers it dresses the windows at the New Year, weaving auspicious patterns and stories out of connected line alone, a positive-negative figure design still transmitted as intangible heritage.","cues":["Cutouts in a single red","Line design that stays connected","Auspicious motifs","Light through paper on windows"],"works":["Festive decoration and window displays designed to be read against the light","Single-color packaging and cut-out marks that carry auspicious meaning"],"recipe":{"type":"Cut the characters too, keeping them connected as part of the figure","layout":"Fix a round or square outer frame first, then divide inside it symmetrically","material":"Folded red paper cut so every line stays thick enough to hold"},"avoid":"Drawing the motif too fine leaves the paper unconnected so it falls apart, breaking the premise of designing positive and negative at once.","study":["window flowers and Spring Festival","the master cutters of Shaanxi","yin and yang cutting (positive and negative)"]},"links":{"page":"https://indexstyle.org/styles/jianzhi","json":"https://indexstyle.org/api/styles/jianzhi","designSpec":"https://indexstyle.org/styles/jianzhi/design.md","imagePrompt":"https://indexstyle.org/styles/jianzhi/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}