{"id":"japonisme","no":85,"name":"Japonisme","ja":"ジャポニスム","era":"1850s–1900s","family":"異文化受容","kind":"スタイル","source":{"title":"The Met — Japonisme","url":"https://www.metmuseum.org/toah/hd/jpon/hd_jpon.htm"},"credit":"Japonisme works and historical overview, The Metropolitan Museum of Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Van%20Gogh%20-%20Bildnis%20P%C3%A9re%20Tanguy.jpeg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Van%20Gogh%20-%20Bildnis%20P%C3%A9re%20Tanguy.jpeg","credit":"ゴッホ『タンギー爺さん』1887"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Monet%20Japonaise.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Monet%20Japonaise.jpg","credit":"モネ『ラ・ジャポネーズ』1876"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Whistler%20-%20Harmony%20in%20Blue%20and%20Gold%20The%20Peacock%20Room%2C%20FS-6938%2002.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Whistler%20-%20Harmony%20in%20Blue%20and%20Gold%20The%20Peacock%20Room%2C%20FS-6938%2002.jpg","credit":"ホイッスラー『ピーコック・ルーム』1877"}],"essence":"日本の版画や工芸から学んだ非対称・平面性・大胆な切断を、西洋近代の構図へ再編する。","cues":["非対称","大胆な切断","平面的色面","植物と日用品"],"intents":["高級","静けさ","懐かしさ"],"works":["余白と切断で西洋的な中心構図を崩す","歴史的な文化交流を具体的に読み解く"],"recipe":{"type":"時代と作者に沿う書体。意味不明な日本語は使わない","layout":"主題を画面端で切り、遠近を色面の重なりで示す","material":"版画色、紙色、輪郭線"},"avoid":"“和風”一般と混同せず、誰が何をどの経路で参照したかを示す。","colors":["#e8d9b8","#315d78","#b45a45"],"motif":"woodblock","pair":["art-nouveau","ukiyo-e"],"study":["James McNeill Whistler","Edgar Degas","ukiyo-e reception"],"collection":"Archive expansion 03","addedAt":"2026-08-17","reference":{"status":"verified","pageUrl":"https://www.metmuseum.org/toah/hd/jpon/hd_jpon.htm","credit":"Japonisme works and historical overview, The Metropolitan Museum of Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Van%20Gogh%20-%20Bildnis%20P%C3%A9re%20Tanguy.jpeg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Van%20Gogh%20-%20Bildnis%20P%C3%A9re%20Tanguy.jpeg","credit":"ゴッホ『タンギー爺さん』1887"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Monet%20Japonaise.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Monet%20Japonaise.jpg","credit":"モネ『ラ・ジャポネーズ』1876"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Whistler%20-%20Harmony%20in%20Blue%20and%20Gold%20The%20Peacock%20Room%2C%20FS-6938%2002.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Whistler%20-%20Harmony%20in%20Blue%20and%20Gold%20The%20Peacock%20Room%2C%20FS-6938%2002.jpg","credit":"ホイッスラー『ピーコック・ルーム』1877"}]},"en":{"essence":"Re-edits asymmetry, flatness and daring crops learned from Japanese prints into Western modern composition.","cues":["Asymmetry","Bold cropping","Flat color planes","Plants and everyday objects"],"works":["Breaking the Western centered composition with margin and cut","Reading a real chapter of cultural exchange concretely"],"recipe":{"type":"Faces true to the period and author; no meaningless Japanese","layout":"Cut the subject at the frame's edge; show depth by overlapping planes","material":"Woodblock colors, paper tone, keylines"},"avoid":"Not generic 'Japanese style.' Show who referred to what, through which route.","study":["James McNeill Whistler","Edgar Degas","ukiyo-e reception"]}}