{"id":"japanese-book-design","no":449,"name":"Japanese Book Design (Sōtei)","ja":"装丁","era":"1900s–","family":"書物芸術","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"日本近代文学館","url":"https://www.bungakukan.or.jp/"},"reference":{"status":"verified","pageUrl":"https://www.bungakukan.or.jp/","credit":"日本近代文学館","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Among%20the%20Rocks%20by%20Onchi%20K%C5%8Dshir%C5%8D%2C%201929%2C%20woodblock%20printHonolulu%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Among%20the%20Rocks%20by%20Onchi%20K%C5%8Dshir%C5%8D%2C%201929%2C%20woodblock%20printHonolulu%20Museum%20of%20Art.jpg","credit":"恩地孝四郎の版画 1929"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rest%20by%20Onchi%20K%C5%8Dshir%C5%8D%2C%201928%2C%20woodblock%20print%2C%20Honolulu%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rest%20by%20Onchi%20K%C5%8Dshir%C5%8D%2C%201928%2C%20woodblock%20print%2C%20Honolulu%20Museum%20of%20Art.jpg","credit":"恩地孝四郎『休息』1928"}]},"essence":"夢二の楽譜表紙から恩地孝四郎の抽象まで、本を工芸品として設計する日本の伝統。函・見返し・題簽・花布まで含めた総合設計は、書物を「読む前に手で味わう」物にした。","cues":["函と題簽の設計","見返しと花布の色","版画家による装画","紙の手触りの選定"],"intents":["高級","親密","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["private-press","shin-hanga"],"study":["恩地孝四郎『書窓』","竹久夢二の装丁","現代の装丁家（菊地信義ら）"],"en":{"essence":"Japan's tradition of designing the book as a crafted object, from Yumeji's song sheets to Onchi's abstraction: slipcase, endpapers, title label and headband as one design — a book to be held before it is read.","cues":["Slipcase and title-label design","Endpaper and headband color","Jacket art by printmakers","Paper chosen for the hand"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Onchi Kōshirō's Shosō","Takehisa Yumeji's bindings","contemporary designers like Kikuchi Nobuyoshi"]}}