{"id":"iznik","no":508,"name":"Iznik Pottery","ja":"イズニク陶器","era":"15th–17th century","family":"陶磁の様式","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — İznik pottery","url":"https://en.wikipedia.org/wiki/%C4%B0znik_pottery"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/%C4%B0znik_pottery","credit":"Wikipedia — İznik pottery","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Dish%20-%20Turkey%2C%20Iznik%20-%201585-1590%20-%20Al%20Thani%20Collection.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Dish%20-%20Turkey%2C%20Iznik%20-%201585-1590%20-%20Al%20Thani%20Collection.jpg","credit":"イズニクの大皿 16世紀末 撮影 Faqscl — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Dish%20with%20Sailing-ship%20Design%20-%20Iznik%20(Turkey)%20-%20ca%201600%20-%20MET%20-%20Inventory%20number%2066.4.7.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Dish%20with%20Sailing-ship%20Design%20-%20Iznik%20(Turkey)%20-%20ca%201600%20-%20MET%20-%20Inventory%20number%2066.4.7.jpg","credit":"帆船文の大皿 イズニク 1600年頃 メトロポリタン美術館 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/645-Istanbul%20R%C3%BCstem%20Pasha%20Mosque-0910-1804.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:645-Istanbul%20R%C3%BCstem%20Pasha%20Mosque-0910-1804.jpg","credit":"リュステム・パシャ・モスクのイズニクタイル 16世紀 撮影 Dosseman — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"オスマン帝国の窯が到達した、白い胎に鮮烈な青と赤を置く陶器。チューリップやカーネーションが渦を巻いて器の曲面を回り、モスクの壁面タイルでは幾何学と植物文が一枚の壁で共存する。","cues":["白い胎と透明釉の輝き","コバルト青と盛り上がる赤","渦を巻く植物文","曲面を回る連続構図"],"intents":["高級","高揚","静けさ"],"works":["曲面の上で模様を途切れさせずに回す","限られた色数で密度と華やぎを出す"],"recipe":{"type":"文字を用いる場合は帯として回し、地の文様と同格に置く","layout":"中心から放射する構図と、縁の帯を対にする","material":"白い胎に透明釉、赤は盛り上げて立体感を出す"},"avoid":"文様を平面に敷き詰めるだけでは器の論理を失う。曲面と縁の処理が様式の要である。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["delftware","islamic-geometric-pattern"],"study":["アルメニア・ボールの赤の発色","宮廷工房による意匠の統制","デルフト陶器への影響"],"en":{"essence":"The pottery reached by the Ottoman kilns, setting brilliant blue and red on a white body. Tulips and carnations turn in spirals around the curve of the vessel, and on the wall tiles of a mosque geometry and plant ornament coexist on a single surface.","cues":["The brilliance of a white body under transparent glaze","Cobalt blue and a red that stands in relief","Spiralling plant ornament","A continuous composition turning around a curved surface"],"works":["Turning a pattern around a curved surface without a break","Getting density and brilliance from a limited palette"],"recipe":{"type":"If you use lettering, run it as a band and give it the same rank as the ground pattern.","layout":"Pair a composition radiating from the center with a band at the rim.","material":"Transparent glaze over a white body, with the red raised to give relief."},"avoid":"Tiling the ornament flat loses the logic of the vessel. The handling of the curve and the rim is the pivot of the style.","study":["The color of the red from Armenian bole","The control of design by the court workshop","Its influence on Delftware"]}}