{"id":"italic-type","no":138,"name":"Italic","ja":"イタリック","era":"1501–","family":"書体分類","kind":"スタイル","collection":"Dictionary expansion 08","addedAt":"2026-08-18","source":{"title":"Tipoteca — First Italics","url":"https://www.tipoteca.it/en/evento/first-italics/"},"reference":{"status":"verified","pageUrl":"https://www.tipoteca.it/en/evento/first-italics/","credit":"Tipoteca — First Italics","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Page%20from%20the%20edition%20of%20Virgil%20printed%20by%20Aldus%20Manutius%20in%201501.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Page%20from%20the%20edition%20of%20Virgil%20printed%20by%20Aldus%20Manutius%20in%201501.jpg","credit":"アルド版ウェルギリウス 1501 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/La%20operina%20Image%2035.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:La%20operina%20Image%2035.jpg","credit":"アリギ『ラ・オペリーナ』1522 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Granjon%20Ascendonica%20italic%201611%20Caroli%20Clvsii%20Atrebatis%20Cvrae%20posteriores.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Granjon%20Ascendonica%20italic%201611%20Caroli%20Clvsii%20Atrebatis%20Cvrae%20posteriores.jpg","credit":"ロベール・グランジョンのアセンドニカ・イタリック 1611年刊『Caroli Clusii Atrebatis curae posteriores』 — Wikimedia Commons / Public domain"}]},"essence":"人文主義者の筆記体を活字化した傾いた文字で、省スペースの小型本を可能にし、のちに本文と別の声を担う役割へ移った。","cues":["右への傾き","筆記由来の連続感","狭い字幅","ローマン体との対比"],"intents":["親密","高級"],"works":["書名、学名、引用など、本文の中で声を変えたい語の指定","頁数を抑えたい携帯版や、狭い欄に長い文を収める版面"],"recipe":{"type":"同じ設計思想のローマン体と対にし、傾きだけの偽斜体を使わない","layout":"単独で通しても組めるが、地の文と混ぜる時は語単位で切り替える","material":"字面が狭いぶん、行間と紙の白を多めに残して圧を逃がす"},"avoid":"単なる斜体ではない。傾けた偽斜体と独立した設計を持つ真のイタリックを区別し、段落全体を斜体にしてローマン体との対比を壊さない。","colors":["#e9dec9","#244a6a","#2b2116"],"motif":"type","pair":["old-style-serif","copperplate-script"],"study":["Aldus Manutius","Francesco Griffo","カンチェレスカ書体"],"en":{"essence":"The humanist cursive cast in type: slanted letters that made pocket books possible, later becoming the second voice beside roman.","cues":["Rightward slant","Cursive continuity","Narrow width","Contrast with roman"],"works":["Marking a change of voice inside text, for titles, terms and quotations","Compact editions and narrow columns that must hold long copy in few pages"],"recipe":{"type":"Pair it with a roman drawn on the same principles, never a slanted fake","layout":"It can carry a whole text, but inside roman it switches word by word","material":"Because the letters are narrow, add leading and keep the page airy"},"avoid":"A true italic is a separate design, not a slanted roman, and setting a whole paragraph in it slows reading and destroys the contrast with roman that gives the letter its job.","study":["Aldus Manutius","Francesco Griffo","the chancery hand"]},"links":{"page":"https://indexstyle.org/styles/italic-type","json":"https://indexstyle.org/api/styles/italic-type","designSpec":"https://indexstyle.org/styles/italic-type/design.md","imagePrompt":"https://indexstyle.org/styles/italic-type/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}