{"id":"italic-type","no":162,"name":"Italic","ja":"イタリック","era":"1501–","family":"文字の歴史","kind":"スタイル","collection":"Dictionary expansion 08","addedAt":"2026-08-18","source":{"title":"Tipoteca — First Italics","url":"https://www.tipoteca.it/en/evento/first-italics/"},"reference":{"status":"verified","pageUrl":"https://www.tipoteca.it/en/evento/first-italics/","credit":"Tipoteca — First Italics","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Page%20from%20the%20edition%20of%20Virgil%20printed%20by%20Aldus%20Manutius%20in%201501.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Page%20from%20the%20edition%20of%20Virgil%20printed%20by%20Aldus%20Manutius%20in%201501.jpg","credit":"アルド版ウェルギリウス 1501"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/La%20operina%20Image%2035.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:La%20operina%20Image%2035.jpg","credit":"アリギ『ラ・オペリーナ』1522"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Virgil%201501%20Aldus%20Manutius.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Virgil%201501%20Aldus%20Manutius.jpg","credit":"最初期のイタリック体組版 1501"}]},"essence":"人文主義者の筆記体を活字化した傾いた文字で、省スペースの小型本を可能にし、のちに本文と別の声を担う役割へ移った。","cues":["右への傾き","筆記由来の連続感","狭い字幅","ローマン体との対比"],"intents":["親密","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"単なる「斜体」ではない。傾けた変形と、独立した設計を持つ真のイタリックを区別する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"type","pair":["old-style-serif","copperplate-script"],"study":["Aldus Manutius","Francesco Griffo","カンチェレスカ書体"],"en":{"essence":"The humanist cursive cast in type: slanted letters that made pocket books possible, later becoming the second voice beside roman.","cues":["Rightward slant","Cursive continuity","Narrow width","Contrast with roman"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not mere 'oblique.' Distinguish slanted distortion from the true italic's independent design.","study":["Aldus Manutius","Francesco Griffo","the chancery hand"]}}