{"id":"italian-neorealism","no":203,"name":"Italian Neorealism","ja":"イタリアン・ネオレアリズモ","era":"1943–1952","family":"映画の視覚様式","kind":"スタイル","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"BFI — 10 great Italian neorealist films","url":"https://www.bfi.org.uk/lists/10-great-italian-neorealist-films"},"reference":{"status":"verified","pageUrl":"https://www.bfi.org.uk/lists/10-great-italian-neorealist-films","credit":"BFI — 10 great Italian neorealist films","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Magnani%20in%20Roma%20citt%C3%A0%20aperta.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Magnani%20in%20Roma%20citt%C3%A0%20aperta.jpg","credit":"アンナ・マニャーニ『無防備都市』1945"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ladri%20di%20biciclette%20(film).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ladri%20di%20biciclette%20(film).jpg","credit":"『自転車泥棒』1948"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Recueil.%20%22Rome%2C%20ville%20ouverte%22%20film%20de%20Roberto%20Rossellini%20-%20btv1b10524702k%20(01%20of%2056).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Recueil.%20%22Rome%2C%20ville%20ouverte%22%20film%20de%20Roberto%20Rossellini%20-%20btv1b10524702k%20(01%20of%2056).jpg","credit":"『無防備都市』資料（フランス国立図書館）"}]},"essence":"スタジオを出て街頭で非職業俳優を撮り、戦後の貧しさと日常をそのまま画面の主題にした「現実の側に立つ」映画。","cues":["ロケーション撮影","非職業俳優","自然光","戦後の街路"],"intents":["親密","反骨","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"archive","pair":["french-new-wave","street-photography"],"study":["ロベルト・ロッセリーニ","ヴィットリオ・デ・シーカ","チェザーレ・ザヴァッティーニの脚本論"],"en":{"essence":"Left the studio to film non-actors in the street, making postwar poverty and daily life the very subject — cinema on reality's side.","cues":["Location shooting","Non-professional actors","Available light","Postwar streets"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Roberto Rossellini","Vittorio De Sica","Cesare Zavattini's theory of the everyday"]}}