{"id":"international-style","no":99,"name":"International Style","ja":"インターナショナル・スタイル","era":"1920s–1960s","family":"近現代建築","kind":"スタイル","collection":"Dictionary expansion 06","addedAt":"2026-08-17","source":{"title":"MoMA — International Style","url":"https://www.moma.org/collection/terms/international-style"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/international-style","credit":"MoMA — International Style","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/860-880%20Lake%20Shore%20Drive.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:860-880%20Lake%20Shore%20Drive.jpg","credit":"ミース 860–880レイクショア・ドライブ（CC BY-SA 2.5）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Barcelona%20Pavilion%20pool.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Barcelona%20Pavilion%20pool.JPG","credit":"バルセロナ・パビリオン（CC BY-SA 2.5）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Seagram%20Building%20NYC.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Seagram%20Building%20NYC.JPG","credit":"シーグラム・ビル（CC BY-SA 3.0）"}]},"essence":"装飾を排し、直方体、自由な平面、鉄・コンクリート・ガラスによって国境を越える普遍的な建築言語を目指す。","cues":["直方体","ガラス面","無装飾","自由な平面"],"intents":["信頼","静けさ","未来"],"works":["企業本社や公共施設の外観を、装飾でなく骨格と比例で信用させる計画","間仕切りを動かして用途を変え続ける、長寿命のオフィスや展示空間"],"recipe":{"type":"サインはサンセリフを柱割にそろえ、壁面から浮かせない","layout":"床を柱で支え、外壁を荷重から解放して自由な平面をつくる","material":"鉄骨とコンクリートの躯体に、白い塗り面と大判ガラスを合わせる"},"avoid":"単なる白い箱とせず、構造・平面・工業材料・社会思想まで含めて読む。比例と納まりを詰めずに装飾だけ外すと安く見え、開口の位置に理由がなくなる。","colors":["#eeece5","#9ca3a5","#252729"],"motif":"architecture","pair":["modernism","bauhaus"],"study":["Le Corbusier","Ludwig Mies van der Rohe","Philip Johnson"],"en":{"essence":"Strips ornament and aims at a universal architectural language crossing borders: the box, the free plan, steel, concrete and glass.","cues":["Rectangular volumes","Glass planes","No ornament","The free plan"],"works":["Corporate headquarters and civic buildings that must earn trust through proportion, not ornament.","Long life offices and galleries whose partitions move as programs change."],"recipe":{"type":"Align sans serif signs to the column grid, flush with the wall.","layout":"Carry floors on columns so plan and facade both stay free.","material":"Steel and concrete frame, white rendered planes, large sheets of glass."},"avoid":"A white box alone misses the structure, free plan, industrial materials and social program, and ornament stripped without tuned proportion and detail reads as cheapness, leaving openings with no reason for their position.","study":["Le Corbusier","Ludwig Mies van der Rohe","Philip Johnson"]},"links":{"page":"https://indexstyle.org/styles/international-style","json":"https://indexstyle.org/api/styles/international-style","designSpec":"https://indexstyle.org/styles/international-style/design.md","imagePrompt":"https://indexstyle.org/styles/international-style/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}