{"id":"intaglio","no":156,"name":"Intaglio","ja":"凹版印刷","era":"15th century–","family":"凹版印刷","kind":"技法","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Intaglio","url":"https://www.moma.org/collection/terms/intaglio"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/intaglio","credit":"MoMA — Intaglio","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Albrecht%20D%C3%BCrer%20-%20Melencolia%20I%20-%20Google%20Art%20Project%20(427760).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Albrecht%20D%C3%BCrer%20-%20Melencolia%20I%20-%20Google%20Art%20Project%20(427760).jpg","credit":"デューラー『メレンコリアI』1514"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hendrick%20Goltzius%20-%20Farnese%20Hercules%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hendrick%20Goltzius%20-%20Farnese%20Hercules%20-%20Google%20Art%20Project.jpg","credit":"ゴルツィウス『ファルネーゼのヘラクレス』1592頃"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Melencolia%20I%20MET%20DP820348.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Melencolia%20I%20MET%20DP820348.jpg","credit":"『メレンコリアI』メトロポリタン美術館所蔵版"}]},"essence":"金属板の表面より低い線や窪みにインクを残し、強い圧力で湿った紙を押し込んで、精密な線と版端の痕跡を写す。","cues":["沈んだ線","プレートマーク","湿った紙","高圧プレス"],"intents":["高級","静けさ","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"細線の装飾へ一括りにせず、彫刻、腐食、ささくれ、面の粗し方による線質と階調の違いを区別する。","colors":["#e5dfd3","#7b7065","#252323"],"motif":"print","pair":["etching","mezzotint"],"study":["engraving","drypoint","aquatint","plate tone"],"en":{"essence":"Holds ink in lines and hollows below the plate's surface, pressing damp paper in under great pressure — precise lines and the plate mark's trace.","cues":["Sunken lines","Plate marks","Damp paper","High-pressure press"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not generic fine-line decoration. Distinguish the line and tone of engraving, biting, burr and roughened ground.","study":["engraving","drypoint","aquatint","plate tone"]}}