{"id":"ikebana","no":377,"name":"Ikebana","ja":"生け花","era":"15th century–","family":"庭園の様式","kind":"スタイル","collection":"Dictionary expansion 20","addedAt":"2026-08-18","source":{"title":"華道家元池坊","url":"https://www.ikenobo.jp/"},"reference":{"status":"verified","pageUrl":"https://www.ikenobo.jp/","credit":"華道家元池坊","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Kinka%20Ikenobo%20%E9%8C%A6%E8%8A%B1%E6%B1%A0%E5%9D%8A%20003.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Kinka%20Ikenobo%20%E9%8C%A6%E8%8A%B1%E6%B1%A0%E5%9D%8A%20003.jpg","credit":"池坊の生け花（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Nagoya%20Ikebana%20Art%20Exhibition%20Sakae%20Nov%202018%2019.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Nagoya%20Ikebana%20Art%20Exhibition%20Sakae%20Nov%202018%2019.jpg","credit":"いけばな展（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ikebana-Rikka.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ikebana-Rikka.jpg","credit":"住吉具慶《立花図》 1700年頃 — Wikimedia Commons / Public domain"}]},"essence":"植物の線と余白で空間を構成する日本の花の芸術。池坊の立花から自由花まで、「花を生かす」構成術は、非対称とネガティブスペースの設計教本であり続ける。","cues":["線の構成","非対称の均衡","余白の設計","季節と枯れの受容"],"intents":["静けさ","高級","親密"],"works":["一枝と数輪で、店や玄関に入った瞬間の空気を変えたいとき","撮影や展示で、余白そのものを主役にした静かな構成を組むとき"],"recipe":{"type":"主となる枝の線を先に一本決め、残りはその線に応答させる","layout":"三つの点を高さと奥行きでずらし、非対称のまま釣り合わせる","material":"花器の口の形で留め方を決め、水面と切り口まで見せる"},"avoid":"隙間が気になって花を足すと線が互いを打ち消し、余白が失われて、ただの花束と区別がつかなくなる","colors":["#e8dbcb","#595641","#231a10"],"motif":"garden","pair":["bonsai","mingei"],"study":["池坊専応口伝","草月流と前衛いけばな","西洋フラワーデザインとの差"],"en":{"essence":"Japan's art of the flower: space composed from plant line and emptiness. From Ikenobō's rikka to free styles, the craft of letting flowers live remains a textbook of asymmetry and negative space.","cues":["Composition by line","Asymmetric balance","Designed emptiness","Season and decay accepted"],"works":["Changing the air at a shop or entrance with one branch and a few stems","Building a quiet composition for a shoot where emptiness leads"],"recipe":{"type":"Choose the leading branch line first, let everything answer it","layout":"Three points offset in height and depth, balanced while asymmetric","material":"The vase mouth decides the fixing, water and cut end left visible"},"avoid":"Adding flowers to fill the gaps makes the lines cancel each other, the emptiness goes, and the work becomes just a bouquet.","study":["the Ikenobō Sen'ō Kuden","Sōgetsu and avant-garde ikebana","the contrast with Western floristry"]},"links":{"page":"https://indexstyle.org/styles/ikebana","json":"https://indexstyle.org/api/styles/ikebana","designSpec":"https://indexstyle.org/styles/ikebana/design.md","imagePrompt":"https://indexstyle.org/styles/ikebana/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}