{"id":"ikat","no":505,"name":"Ikat","ja":"絣","era":"ancient–","family":"染織の伝統","kind":"技法","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — Ikat","url":"https://en.wikipedia.org/wiki/Ikat"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Ikat","credit":"Wikipedia — Ikat","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Antique%20Patan%20Patola%20Double%20Ikat%20Trade%20Textile%20courtesy%20Wovensouls%20Collection%2C%20Singapore.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Antique%20Patan%20Patola%20Double%20Ikat%20Trade%20Textile%20courtesy%20Wovensouls%20Collection%2C%20Singapore.jpg","credit":"パタン・パトラの経緯絣（インド・グジャラート、インドネシア向け交易布） — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/'Kain%20endek'%20(ceremonial%20ikat%20hanging)%20from%20Buleleng%2C%20Bali%2C%20Indonesia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:'Kain%20endek'%20(ceremonial%20ikat%20hanging)%20from%20Buleleng%2C%20Bali%2C%20Indonesia.jpg","credit":"儀礼用絣布「カイン・エンデック」バリ島ブレレン 19世紀後半 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/E-Gasuri.%2C%20Picture%20Kasuri.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:E-Gasuri.%2C%20Picture%20Kasuri.JPG","credit":"千鳥文の絵絣 20世紀初頭の着物より — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"織る前の糸を括って染め分け、織り上がったときに模様が現れるよう計算する技法。糸のわずかなずれが輪郭を滲ませ、その揺らぎが絣の指紋になる。設計と偶然が同じ工程に同居する。","cues":["輪郭が滲む模様の縁","経糸と緯糸の染め分け","計算された色の位置","織りのずれによる揺らぎ"],"intents":["親密","技術","懐かしさ"],"works":["模様の輪郭を、意図的に不明瞭にする","織りの工程そのものを図案の条件にする"],"recipe":{"type":"滲みに負けない、単純で大きい字形を使う","layout":"繰り返しの単位を織り幅から逆算して決める","material":"糸の段階で染め分け、ずれを消さずに織る"},"avoid":"プリントで滲みを模しても糸の履歴は出ない。工程の順序が模様の意味である。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["shibori","meisen-kimono"],"study":["経絣・緯絣・経緯絣の違い","インドネシア・中央アジア・日本の系統","銘仙における近代化"],"en":{"essence":"A technique in which the threads are bound and dyed before weaving, calculated so that the pattern appears only once the cloth is woven. A slight shift of the threads blurs the outline, and that wavering is the fingerprint of ikat. Design and chance live in the same process.","cues":["Pattern edges where the outline bleeds","Warp and weft dyed separately","Calculated placement of color","Wavering caused by shifts in the weave"],"works":["Making the outline of a pattern deliberately indistinct","Making the weaving process itself a condition of the design"],"recipe":{"type":"Use simple, large letterforms that hold up against the bleed.","layout":"Derive the repeat unit backwards from the width of the cloth.","material":"Dye at the thread stage and weave without correcting the shift."},"avoid":"Imitating the bleed in print will not produce the history of the thread. The order of the process is the meaning of the pattern.","study":["The difference between warp ikat, weft ikat and double ikat","The Indonesian, Central Asian and Japanese lineages","Its modernization in meisen"]}}