{"id":"gutai","no":145,"name":"Gutai","ja":"具体美術協会","era":"1954–1972","family":"日本の戦後前衛","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"Guggenheim — Gutai: Splendid Playground","url":"https://www.guggenheim.org/exhibition/gutai-splendid-playground"},"reference":{"status":"verified","pageUrl":"https://www.guggenheim.org/exhibition/gutai-splendid-playground","credit":"Guggenheim — Gutai: Splendid Playground","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Christo%20Coetzee%20and%20Michio%20Yoshihara%2C%20Osaka%2C%201959.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Christo%20Coetzee%20and%20Michio%20Yoshihara%2C%20Osaka%2C%201959.jpg","credit":"大阪・具体をめぐる作家たち 1959（CC BY-SA 3.0）"},{"imageUrl":"/quotes/gutai.jpg","pageUrl":"https://www.guggenheim.org/exhibition/gutai-splendid-playground","credit":"グッゲンハイム美術館『Gutai: Splendid Playground』展示風景より引用"}]},"essence":"身体、泥、紙、水、煙、電球などへ直接働きかけ、精神が素材を支配せず互いの性質を露出させる出来事として作品をつくる。","cues":["身体と素材の衝突","屋外展示","破る・投げる・踏む","参加と遊び"],"intents":["反骨","高揚","遊び"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"激しい制作行為だけを見世物にせず、戦後日本、素材の自律性、観客参加という思想を読む。","colors":["#e6dfd1","#d84831","#25211f"],"motif":"action","pair":["abstract-expressionism","fluxus"],"study":["Yoshihara Jirō","Shiraga Kazuo","Tanaka Atsuko","Gutai Art Manifesto"],"en":{"essence":"Acts directly on body, mud, paper, water, smoke and light bulbs — events where spirit does not rule material, and each exposes the other's nature.","cues":["Body colliding with material","Outdoor exhibitions","Tearing, throwing, treading","Participation and play"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't stage the violence of making as spectacle. Read postwar Japan, the autonomy of material, audience participation.","study":["Yoshihara Jirō","Shiraga Kazuo","Tanaka Atsuko","Gutai Art Manifesto"]}}