{"id":"gutai","no":121,"name":"Gutai","ja":"具体美術協会","era":"1954–1972","family":"日本の戦後前衛","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"Guggenheim — Gutai: Splendid Playground","url":"https://www.guggenheim.org/exhibition/gutai-splendid-playground"},"reference":{"status":"verified","pageUrl":"https://www.guggenheim.org/exhibition/gutai-splendid-playground","credit":"Guggenheim — Gutai: Splendid Playground","gallery":[{"imageUrl":"/quotes/gutai.jpg","pageUrl":"https://www.guggenheim.org/exhibition/gutai-splendid-playground","credit":"『Gutai: Splendid Playground』展示風景（© Solomon R. Guggenheim Foundation、同館より引用）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Using%20his%20feet.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Using%20his%20feet.jpg","credit":"白髪一雄の作品に残る足の跡（部分） — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Shozo%20shimamoto%20-%20bottle%20crash-%20mixed%20media%20on%20canvans-%20itami%202000-%20collezione%20privata%2020210221%20103539.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Shozo%20shimamoto%20-%20bottle%20crash-%20mixed%20media%20on%20canvans-%20itami%202000-%20collezione%20privata%2020210221%20103539.jpg","credit":"嶋本昭三 ボトル・クラッシュによる絵画 2000 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"身体、泥、紙、水、煙、電球などへ直接働きかけ、精神が素材を支配せず互いの性質を露出させる出来事として作品をつくる。","cues":["身体と素材の衝突","屋外展示","破る・投げる・踏む","参加と遊び"],"intents":["反骨","高揚","遊び"],"works":["痕跡が残る過程そのものを見せる、公開制作やパフォーマンスの企画","屋外や仮設の場で、素材と身体の関係を観客に体験させる展示"],"recipe":{"type":"記録の文字は日付と行為の記述に限り、題で意味を足さない","layout":"屋外や通路に作品を置き、見る距離を観客の移動に委ねる","material":"泥、紙、水、電球、絵具を、破り投げ踏んだ跡ごと残す"},"avoid":"激しい身振りを再演しても、素材の応答を受けなければ見世物に終わる。戦後日本、素材の自律性、観客参加という思想まで読む。","colors":["#e6dfd1","#d84831","#25211f"],"motif":"action","pair":["abstract-expressionism","fluxus"],"study":["Yoshihara Jirō","Shiraga Kazuo","Tanaka Atsuko","Gutai Art Manifesto"],"en":{"essence":"Acts directly on body, mud, paper, water, smoke and light bulbs, making the work an event in which spirit does not master material and each exposes the nature of the other.","cues":["Body colliding with material","Outdoor exhibitions","Tearing, throwing, treading","Participation and play"],"works":["Public making and performance where the process and its traces are what is shown.","Outdoor or temporary shows that let the audience feel material meeting body."],"recipe":{"type":"Keep records to date and act described, adding no meaning through a title.","layout":"Put the work outdoors or in a passage, letting viewers set their distance.","material":"Mud, paper, water, bulbs and paint, keeping the marks of tearing and treading."},"avoid":"Restaging the physical gesture without responding to what the material does leaves only spectacle. Read the thought behind it, postwar Japan, the autonomy of material and the audience taking part.","study":["Yoshihara Jirō","Shiraga Kazuo","Tanaka Atsuko","Gutai Art Manifesto"]},"links":{"page":"https://indexstyle.org/styles/gutai","json":"https://indexstyle.org/api/styles/gutai","designSpec":"https://indexstyle.org/styles/gutai/design.md","imagePrompt":"https://indexstyle.org/styles/gutai/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}