{"id":"goryeo-celadon","no":509,"name":"Goryeo Celadon","ja":"高麗青磁","era":"918–1392","family":"陶磁の様式","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: Goryeo cheongja (ceramic style) (300459698)","url":"https://vocab.getty.edu/page/aat/300459698"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300459698","credit":"Getty Research Institute — Art & Architecture Thesaurus: Goryeo cheongja (ceramic style) (300459698)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Goryeo%20Celadon.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Goryeo%20Celadon.jpg","credit":"青磁象嵌雲鶴文梅瓶 高麗時代 13世紀 — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Clevelandart%201917.357.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Clevelandart%201917.357.jpg","credit":"青磁象嵌菊花文 瓜形水注 高麗時代 12世紀 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/BLW%20Bowl.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:BLW%20Bowl.jpg","credit":"青磁 印花象嵌 碗 高麗時代 1150-1200年 — Wikimedia Commons / CC BY-SA 2.0 UK"}]},"essence":"高麗時代の朝鮮でつくられた青磁の様式。鉄をわずかに含む灰白色の素地に、緑から青みへ振れる半透明の釉をかけ、最上の色は翡色と呼ばれた。釉が透けるため、彫った溝に白土と赤土を埋めた象嵌の文様が、水の下から浮かぶように見える。","cues":["灰白色の素地の上に、緑から青みへ振れる半透明の釉がかかる","彫った溝に白土と赤土を埋めた象嵌の線が、釉の下に沈んで見える","彫り、浮き彫り、透かし彫りが同じ器の上で併用される","鉄や銅の顔料で描いた黒褐色や赤の絵付けが、緑の地に少量だけ載る"],"intents":["静けさ","高級","技術"],"works":["韓国陶磁の展示や図録で、釉の緑がどこまで振れるかを色見本として押さえたいとき","半透明の層の下に文様を沈める見え方を、箔押しや画面のレイヤー構成に翻訳したいとき"],"recipe":{"type":"器そのものに文字はほとんど載らない。銘や解説を添えるなら明朝系の細い縦画を小さく組み、文様の余白を侵さない位置に置く。","layout":"口縁と高台に細い帯を回し、胴の広い面は大きく空ける。文様は左右対称にせず、斜めに散らして余白を主役にする。","material":"鉄分をわずかに含む灰白色の素地に、緑から青緑の半透明釉をかけて焼く。文様は素地を彫って白土と赤土を埋め、その上から釉をかけて沈める。"},"avoid":"翡色を単なる緑に丸めると象嵌の線が表面に印刷されたように見え、釉の下から透ける奥行きが失われる。","colors":["#7E9A86","#D9D2BE","#3B3730"],"motif":"graphic","pair":["iznik","delftware"],"study":["12世紀から13世紀の作と14世紀の作で、釉の色と器壁の厚みがどう変わるか","象嵌に使う白土と赤土が、焼成後にどの色として見えるか","彫り、浮き彫り、透かし彫りを一つの器で併用した作例の配分"],"en":{"essence":"The main ceramic style of Korea's Goryeo dynasty, built around glazes that range from green to bluish, the finest of which was called bisaek, or jade colour. The clay body carries traces of iron and fires a grayish white, which sets it apart from the pure white porcelain of the same centuries. Because the glaze stays translucent, inlaid decoration cut into the body and filled with white and red slip reads as if held under water.","cues":["A translucent glaze running from green to bluish over a grayish white body","Inlaid lines of white and red slip sitting visibly below the glaze surface","Incising, relief carving and openwork used together on one vessel","Small passages of iron or copper pigment painting, dark brown or red, on the green ground"],"works":["Fixing the green range as a colour reference for an exhibition or catalogue of Korean ceramics","Translating the look of pattern sunk beneath a translucent layer into print finishing or screen layers"],"recipe":{"type":"The vessel itself carries almost no lettering. If a mark or a label is needed, set it small in a fine serif with thin vertical strokes, clear of the ornament's empty ground.","layout":"Run narrow bands at the rim and foot and leave the wide body largely open. Scatter motifs on a diagonal rather than symmetrically so the void carries the piece.","material":"Cover a grayish white body carrying trace iron with a translucent glaze between green and blue green. Cut the pattern into the body, fill it with white and red slip, then glaze over so it sinks."},"avoid":"Flattening bisaek into a generic green makes the inlay read as printed on the surface and destroys the depth the style depends on.","study":["how the glaze colour and the wall thickness change between twelfth and thirteenth century work and fourteenth century work","what colours the white clay and red clay used for inlay read as after firing","the proportions in pieces that combine carving, relief and openwork on one vessel"]}}