{"id":"generative-art","no":348,"name":"Generative Art","ja":"ジェネラティブアート","era":"1965–","family":"計算表現","kind":"スタイル","collection":"Dictionary expansion 17","addedAt":"2026-08-18","source":{"title":"Whitney Museum — Programmed","url":"https://whitney.org/exhibitions/programmed"},"reference":{"status":"verified","pageUrl":"https://whitney.org/exhibitions/programmed","credit":"Whitney Museum — Programmed"},"essence":"規則と乱数に制作を委ね、作家はシステムを設計する芸術。ネースやモルナールのプロッター素描から、コードによる反復と偶然の造形は、デザインの生成的手法の源流になった。","cues":["規則と乱数の同居","プロッターの線","反復のバリエーション","システムとしての作品"],"intents":["技術","静けさ","遊び"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"screen","pair":["motion-graphics","net-art"],"study":["ゲオルク・ネース","ヴェラ・モルナール","Processingとクリエイティブコーディング"],"en":{"essence":"Art that delegates production to rule and randomness, the artist designing the system. From Nees's and Molnár's plotter drawings, coded repetition and chance became the source of design's generative methods.","cues":["Rule and randomness together","The plotter's line","Variation through repetition","The work as system"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Georg Nees","Vera Molnár","Processing and creative coding"]}}