{"id":"gekiga","no":500,"name":"Gekiga","ja":"劇画","era":"1957–1970s","family":"イラストレーション様式","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — Gekiga","url":"https://en.wikipedia.org/wiki/Gekiga"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Gekiga","credit":"Wikipedia — Gekiga"},"essence":"子ども向けの「漫画」と切り離すために辰巳ヨシヒロが立てた呼称。細い描線と濃い陰影、映画的なコマ運びで、大人向けの社会性と暴力を扱った。以後の漫画表現が扱える主題の幅を決定的に広げた。","cues":["細く硬い描線","強い明暗と黒ベタ","映画的なコマ割り","現実的な人体と背景"],"intents":["反骨","技術","懐かしさ"],"works":["重い主題を、線の硬さと闇の量で支える","映画的な時間をコマの連なりで設計する"],"recipe":{"type":"描き文字を抑え、写植の硬さを画面に持ち込む","layout":"引きと寄りを大きく振り、無音のコマを挟む","material":"ベタとカケアミで闇の階調をつくる"},"avoid":"暗い絵柄が劇画なのではない。何を語るために線を硬くしたのかが起点である。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["manga-lettering","shojo-manga"],"study":["辰巳ヨシヒロによる命名 1957","貸本漫画という流通","『ガロ』と『COM』の役割"],"en":{"essence":"The name Tatsumi Yoshihiro raised in order to separate his work from manga for children. With a thin drawn line, heavy shadow and cinematic panel flow, it treated adult social themes and violence. It decisively widened the range of subjects comics could take on afterwards.","cues":["Thin, hard drawn line","Strong light and dark with solid black","Cinematic panel division","Realistic bodies and backgrounds"],"works":["Supporting a heavy subject with the hardness of the line and the quantity of darkness","Designing cinematic time through a sequence of panels"],"recipe":{"type":"Hold back hand lettering and bring the hardness of phototype onto the page.","layout":"Swing widely between long shot and close up, and insert silent panels.","material":"Build the gradations of darkness from solid black and crosshatched screening."},"avoid":"A dark drawing style is not what gekiga is. The starting point is what the hardened line was meant to tell.","study":["The naming by Tatsumi Yoshihiro in 1957","The rental book trade as a channel of distribution","The roles of Garo and COM"]}}