{"id":"fsa-documentary","no":349,"name":"FSA Documentary","ja":"FSAドキュメンタリー","era":"1935–1944","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 19","addedAt":"2026-08-18","source":{"title":"Library of Congress — FSA/OWI Photographs","url":"https://www.loc.gov/collections/fsa-owi-black-and-white-negatives/"},"reference":{"status":"verified","pageUrl":"https://www.loc.gov/collections/fsa-owi-black-and-white-negatives/","credit":"Library of Congress — FSA/OWI Photographs","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Lange-MigrantMother02.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Lange-MigrantMother02.jpg","credit":"ラング『移民の母』1936 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/General%20store%20interior%20Alabama%20Walker%20Evans.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:General%20store%20interior%20Alabama%20Walker%20Evans.jpg","credit":"ウォーカー・エヴァンズ「雑貨店の内部（アラバマ州マウンドヴィル）」 — Wikimedia Commons / Public domain"}]},"essence":"大恐慌下の米国農業安定局が組織した記録写真事業。ラングの『移民の母』に代表される尊厳の肖像と、国家アーカイブとして残る27万枚が、ドキュメンタリーの公共的役割を定義した。","cues":["尊厳を保つ肖像","生活環境の記述","国家事業のアーカイブ性","キャプションの現場情報"],"intents":["信頼","親密","静けさ"],"works":["行政や財団の事業記録を、対象の尊厳を保って残すとき","地域の生活を長期に記録し、後から検索できる資料にするとき"],"recipe":{"type":"撮影地と日付と状況を定型で記録し、感想を書かない","layout":"人物の肖像と、その人が暮らす環境を必ず対で撮る","material":"白黒で通し、カメラの高さを相手の目に合わせる"},"avoid":"困窮の見た目を強調して撮ることが同情を集める近道になり、記録のはずが対象を見世物に変えてしまう。","colors":["#e7e4e2","#7a7a7a","#171614"],"motif":"photo","pair":["photo-essay","wpa-poster"],"study":["ロイ・ストライカーの指示書","ウォーカー・エヴァンズ","Photogrammar（イェールの可視化）"],"en":{"essence":"The documentary program of Depression-era America's Farm Security Administration. Lange's Migrant Mother and 270,000 archived negatives defined the public role of documentary.","cues":["Portraits preserving dignity","Living conditions described","The archive as state project","Field information in captions"],"works":["Program records for agencies and foundations that keep their subjects' dignity","Long-term community documentation built so it can be searched later"],"recipe":{"type":"Log place, date and situation in a fixed form, never opinion","layout":"Always pair a portrait with the setting that person lives in","material":"Monochrome throughout, camera height matched to the subject"},"avoid":"Emphasizing the look of hardship becomes the quick route to sympathy, and what was meant as a record turns the people in it into a spectacle.","study":["Roy Stryker's shooting scripts","Walker Evans","Yale's Photogrammar"]},"links":{"page":"https://indexstyle.org/styles/fsa-documentary","json":"https://indexstyle.org/api/styles/fsa-documentary","designSpec":"https://indexstyle.org/styles/fsa-documentary/design.md","imagePrompt":"https://indexstyle.org/styles/fsa-documentary/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}