{"id":"film-noir","no":115,"name":"Film Noir","ja":"フィルム・ノワール","era":"1940s–1950s / later revivals","family":"映画の視覚様式","kind":"スタイル","collection":"Dictionary expansion 06","addedAt":"2026-08-17","source":{"title":"BFI — Genres: where to draw the line?","url":"https://www.bfi.org.uk/features/genres-where-draw-line"},"reference":{"status":"verified","pageUrl":"https://www.bfi.org.uk/features/genres-where-draw-line","credit":"BFI — Genres: where to draw the line?","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ann%20Savage%20and%20Tom%20Neal%20in%20Detour.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ann%20Savage%20and%20Tom%20Neal%20in%20Detour.jpg","credit":"『恐怖のまわり道』1945 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/D.O.A.%20(1950%20poster).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:D.O.A.%20(1950%20poster).jpg","credit":"『D.O.A.』ポスター 1950 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/The%20Hitch-Hiker%20(1953%20poster).jpeg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:The%20Hitch-Hiker%20(1953%20poster).jpeg","credit":"『ヒッチハイカー』ポスター 1953 — Wikimedia Commons / Public domain"}]},"essence":"ローキー照明、深い影、斜めの構図、夜の都市、反射によって、不信、孤立、運命論を画面へ刻む。","cues":["ローキー照明","強い明暗","雨と夜景","斜めの影"],"intents":["反骨","高級","静けさ"],"works":["犯罪や不信を扱う映像で、説明台詞に頼らず不安を光だけで伝える演出","夜の都市を舞台にした短編やミュージックビデオの照明設計"],"recipe":{"type":"字幕やタイトルは影の落ちる面へ置き、明部を潰さない","layout":"人物を画面の端へ寄せ、空いた面を影と反射で埋める","material":"単一光源のローキー、濡れた路面、ブラインドや格子で影を切る"},"avoid":"影を深めること自体が目的になると、演技も空間構成も残らない。白黒と煙とブラインドの影で済ませず、都市の不安と人物の心理を構図と光と語りへ通す。","colors":["#d2d1cd","#656568","#111214"],"motif":"cinema","pair":["gothic","snapshot-aesthetic"],"study":["German Expressionism","Robert Siodmak","The Big Sleep"],"en":{"essence":"Cuts distrust, isolation and fatalism into the frame with low-key lighting, deep shadow, oblique composition, the city at night, reflections.","cues":["Low-key lighting","Hard chiaroscuro","Rain and night streets","Slanting shadows"],"works":["Crime and distrust on screen, where unease comes from light instead of dialogue.","Lighting design for short films and music videos set in the city at night."],"recipe":{"type":"Place titles and subtitles over shadow so the highlights stay unbroken.","layout":"Push the figure to one edge and fill the rest with shadow and reflection.","material":"One hard key in low key, wet streets, blinds and grilles cutting the light."},"avoid":"When deepening the shadow becomes the goal, neither the acting nor the spatial layout survives, so carry the city's unease and the character's psychology through composition, light and narration.","study":["German Expressionism","Robert Siodmak","The Big Sleep"]},"links":{"page":"https://indexstyle.org/styles/film-noir","json":"https://indexstyle.org/api/styles/film-noir","designSpec":"https://indexstyle.org/styles/film-noir/design.md","imagePrompt":"https://indexstyle.org/styles/film-noir/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}