{"id":"fashion-photography","no":394,"name":"Fashion Photography","ja":"ファッション写真","era":"1911–","family":"写真ジャンル","kind":"スタイル","collection":"Dictionary expansion 19","addedAt":"2026-08-18","source":{"title":"International Center of Photography","url":"https://www.icp.org/"},"reference":{"status":"verified","pageUrl":"https://www.icp.org/","credit":"International Center of Photography","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Fashion%20picture%20by%20Adolf%20de%20Meyer%204.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Fashion%20picture%20by%20Adolf%20de%20Meyer%204.jpg","credit":"ド・メイヤーのファッション写真"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/-Adolf%20de%20Meyer%20Photographing%20Olga%20in%20a%20Garden-%20MET%20DP136197.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:-Adolf%20de%20Meyer%20Photographing%20Olga%20in%20a%20Garden-%20MET%20DP136197.jpg","credit":"撮影中のド・メイヤー（CC0）"}]},"essence":"ド・メイヤーの光輪に始まり、ペンの背景紙、アヴェドンの跳躍へ——服を売る写真が同時に時代の身体像を発明してきたジャンル。スタジオの人工光と誌面のトリミングが様式の実験場になった。","cues":["背景紙の抽象空間","人工光の設計","身体のポーズの発明","誌面前提のトリミング"],"intents":["高級","高揚","遊び"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"photo","pair":["pictorialism","fashion-plate"],"study":["アドルフ・ド・メイヤー","アーヴィング・ペン","リチャード・アヴェドン"],"en":{"essence":"From de Meyer's halos through Penn's seamless to Avedon's leaps: photography that sells clothes while inventing each era's image of the body, with studio light and page cropping as its laboratory.","cues":["The seamless abstract space","Designed artificial light","Invented poses","Cropping made for the page"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Adolf de Meyer","Irving Penn","Richard Avedon"]}}