{"id":"fashion-deconstruction","no":550,"name":"Fashion Deconstruction","ja":"ファッションの脱構築","era":"1980s–","family":"ファッション史","kind":"スタイル","collection":"Dictionary expansion 27","addedAt":"2026-08-22","source":{"title":"The Metropolitan Museum of Art — Infra-Apparel: Deconstruction and Discovery in Contemporary Costume","url":"https://resources.metmuseum.org/resources/metpublications/pdf/Infra_Apparel.pdf"},"reference":{"status":"verified","pageUrl":"https://resources.metmuseum.org/resources/metpublications/pdf/Infra_Apparel.pdf","credit":"The Metropolitan Museum of Art — Infra-Apparel: Deconstruction and Discovery in Contemporary Costume"},"essence":"服を完成した一体物として隠すのではなく、縫い代、裏地、断ち端、型紙、非対称な接合を表へ出し、衣服を成り立たせる規則そのものを問い直す。破壊の演出ではなく、分解した構成要素から別の身体像を組み直す。","cues":["縫い代と裏地が表側へ出る","未処理の断ち端と意図的なほつれ","左右で異なる接合とずれた重心","型紙や芯地が完成面として見える"],"intents":["反骨","技術","静けさ"],"works":["服の構造や制作工程そのものを主題にするコレクション","完成品の滑らかさより、組み立てと修復の痕跡を見せる衣装や展示"],"recipe":{"type":"ラベル、しつけ糸、型紙の注記を隠さず、説明の文字も構造の一部として残す。","layout":"左右対称を外し、接合線と余った布が身体の周囲に別の輪郭を作るように組む。","material":"裏地、芯地、縫い代、断ち端を完成面へ出し、加工の順序を読める状態にする。"},"avoid":"布を破ってほつれさせるだけでは脱構築にならない。どの衣服規則を分解し、何へ組み替えたかが見えなければならない。","colors":["#111111","#E7E2D8","#8B8178"],"motif":"fashion","pair":["deconstructivism","punk"],"study":["Rei KawakuboとComme des Garçons","Martin Margiela","構造の露出と再構成"],"en":{"essence":"Exposes seam allowance, lining, raw edge, pattern and asymmetric joining instead of hiding clothing as a seamless whole. It does not merely destroy; it dismantles conventions and builds a different body from their parts.","cues":["Seam allowances and lining turned outward","Raw edges and deliberate fraying","Asymmetric joins and displaced balance","Patterns and interfacing treated as finished surfaces"],"works":["Collections where garment structure and making are the subject","Clothes and displays that value assembly and repair traces over polished finish"],"recipe":{"type":"Leave labels, basting thread and pattern notation visible as part of the structure.","layout":"Break symmetry so joins and excess cloth draw another contour around the body.","material":"Expose lining, interfacing, seams and cut edges so the order of assembly can be read."},"avoid":"Torn and frayed cloth alone is not deconstruction. The viewer must see what convention was dismantled and what replaced it.","study":["Rei Kawakubo and Comme des Garçons","Martin Margiela","Exposure and reconstruction of structure"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}