{"id":"famille-rose","no":507,"name":"Famille Rose","ja":"粉彩（ファミーユ・ローズ）","era":"1720s–","family":"陶磁の様式","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: famille rose (300254689)","url":"https://vocab.getty.edu/page/aat/300254689"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300254689","credit":"Getty Research Institute — Art & Architecture Thesaurus: famille rose (300254689)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bowl%20with%20Indian%20lotus%20Design%20on%20a%20Pink%20Brocade%20Ground.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bowl%20with%20Indian%20lotus%20Design%20on%20a%20Pink%20Brocade%20Ground.jpg","credit":"粉彩 番蓮文 碗 清代・乾隆年間 1736-1795 — Wikimedia Commons / CC BY 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Qing%20Dynasty%20Pink%20vase%20with%20a%20cover%2001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Qing%20Dynasty%20Pink%20vase%20with%20a%20cover%2001.jpg","credit":"粉彩 蓋付壺 清代・乾隆年間 1736-1795 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/5053-willem-wilhelmina.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:5053-willem-wilhelmina.jpg","credit":"オラニエ公ウィレム5世夫妻を描いた輸出用皿 1770年頃 — Wikimedia Commons / CC0"}]},"essence":"中国で始まった上絵付け磁器の様式で、ピンクから紫がかった薔薇色までの不透明な絵具を柱に据える。この色はコロイド金から作るカシウスの紫であり、1685年ごろイエズス会士が中国へ持ち込んだ。雍正年間に頂点を迎え、その後は主に欧州向けの輸出品となった。","cues":["ピンクから紫がかった薔薇色の不透明な絵具が、器の中でいちばん強い色になっている","絵具が不透明なので、下の白い磁肌が透けず、色面がそのまま器の上に乗る","釉の上から焼き付けた上絵なので、絵のある面と白磁の余白とで艶の出方が分かれる","同じ様式がフランス、ドイツ、イギリスの器にも現れ、産地の違いが絵の筆づかいにしか出ない"],"intents":["高級","技術","高揚"],"works":["白い地の上に桃色系の不透明な色面だけで図柄を組む、食器やパッケージの絵付けを設計するとき","透明な重ねではなく絵具の厚みで見せる図案を、印刷や画面で再現したいとき"],"recipe":{"type":"文字を入れるなら細い筆線の縦組みを小さく添えるにとどめ、絵の面積を侵さない。","layout":"白の余白を広く残し、絵は器の一面に寄せる。図柄と余白の境は罫ではなく絵具のふちで決める。","material":"白い地の上に、ピンクから紫がかった薔薇色の不透明色を核として置く。明度は白を足して上げ、透明色の重ねではなく塗り分けで階調をつくる。"},"avoid":"透明水彩を重ねるつもりで薄く塗ると、粉彩の要である色の不透明さが消えて、ただの淡い花柄になる。","colors":["#DE8FA6","#F4F1E9","#9C4F73"],"motif":"graphic","pair":["delftware","chinoiserie"],"study":["コロイド金から作るカシウスの紫がどう発色するか","1723年から1735年の器と、その後の輸出向けの器で絵の密度がどう変わるか","透明な緑を軸にした先行のファミーユと、不透明な薔薇色の様式が何で分かれるか"],"en":{"essence":"An overglaze enamelled porcelain style that began in China and is built on an opaque enamel running from pink to purplish rose. The pigment is Purple of Cassius, made from colloidal gold, and it reached China with Jesuit missionaries around 1685. The style peaked under the Yongzheng reign of 1723 to 1735 and afterwards was produced largely for export to Europe.","cues":["An opaque enamel from pink to purplish rose carries the strongest colour on the piece","The enamel is opaque, so the white porcelain body does not show through the painted areas","Painted over the glaze, so decorated areas and the plain white reserve catch light differently","The same style turns up on French, German and English wares, where only the brushwork gives the origin away"],"works":["Designing tableware or packaging decoration where opaque pink tones carry the whole motif on a white ground","Reproducing in print or on screen a motif that reads through the body of the paint rather than through transparent layering"],"recipe":{"type":"If text is needed, keep it to a small column of thin brushed strokes that never encroaches on the painted area.","layout":"Leave a wide white reserve and gather the painting onto one face. The border between motif and reserve is the edge of the paint, not a ruled line.","material":"Build on a white ground with an opaque pink to purplish rose at the centre. Raise value by adding white rather than by thinning, and grade tone by adjacent flat areas instead of transparent layers."},"avoid":"Painting thin as if layering transparent washes destroys the opacity that defines the style and leaves only a pale floral pattern.","study":["how Purple of Cassius, made from colloidal gold, develops its colour","how the density of the painting changes between wares of 1723 to 1735 and the later export wares","what separates the earlier famille built on a transparent green from the opaque rose style"]}}