{"id":"factory-records","no":302,"name":"Factory Records Style","ja":"ファクトリー・レコーズ","era":"1978–1992","family":"音楽グラフィック","kind":"スタイル","collection":"Dictionary expansion 16","addedAt":"2026-08-18","source":{"title":"Design Museum — Peter Saville","url":"https://designmuseum.org/designers/peter-saville"},"reference":{"status":"verified","pageUrl":"https://designmuseum.org/designers/peter-saville","credit":"Design Museum — Peter Saville","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/New%20Order%20-%20Power%2C%20Corruption%20%26%20Lies.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:New%20Order%20-%20Power%2C%20Corruption%20%26%20Lies.png","credit":"ピーター・サヴィル《Power, Corruption & Lies》1983 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/New-order-blue-monday-pg-83jpg-30fd56bf9f9e181a.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:New-order-blue-monday-pg-83jpg-30fd56bf9f9e181a.jpg","credit":"ピーター・サヴィル、ブレット・ウィケンズ《Blue Monday》1983 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Egg%20cover.gif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Egg%20cover.gif","credit":"ピーター・サヴィル《Everything's Gone Green》1981 — Wikimedia Commons / Public domain"}]},"essence":"サヴィルがマンチェスターのレーベルで実践した、音楽の説明を拒む引用と抑制のジャケット。産業色見本、古典絵画、波形図の転用が、ポストパンクの知的な虚無を様式化した。","cues":["説明の拒否","異分野図版の転用","抑制されたタイポグラフィ","カタログ番号の制度化"],"intents":["反骨","静けさ","高級"],"works":["音楽や展示の告知で、内容の説明を避けて余韻だけを残したいとき","連番や規格の運用そのものを、ブランドの語り口にしたいとき"],"recipe":{"type":"小さく端に置き、題名も作者名も画面の主役にしない","layout":"中央に無関係な図版を一枚置き、周囲を沈黙のまま残す","material":"産業用の色見本や特殊加工を借り、印刷指定を作品として扱う"},"avoid":"引用元に必然がないまま無関係な図版を置くと、思わせぶりなだけで聴き手の記憶に何も残らない。","colors":["#ffe8b6","#6ab7ab","#060606"],"motif":"graphic","pair":["new-wave","blue-note"],"study":["ピーター・サヴィル","『Unknown Pleasures』の波形","ハシエンダのグラフィック"],"en":{"essence":"At the Manchester label Saville made sleeves that refuse to explain the music. Borrowed industrial color charts, classical paintings and waveform diagrams turned post-punk's intelligent void into a style.","cues":["Refusal to explain","Borrowed imagery from other fields","Restrained typography","Catalogue numbers as institution"],"works":["Music or exhibition promotion that withholds explanation and leaves only resonance","Making numbering and specification itself the way a brand speaks"],"recipe":{"type":"Set small at the edge so neither title nor artist takes the stage","layout":"One unrelated plate at the center with the surround left silent","material":"Industrial color charts and special finishes borrowed, the print spec treated as work"},"avoid":"An unrelated plate chosen without necessity reads as mere suggestiveness and leaves the listener with nothing to remember.","study":["Peter Saville","the Unknown Pleasures waveform","the Haçienda's graphics"]},"links":{"page":"https://indexstyle.org/styles/factory-records","json":"https://indexstyle.org/api/styles/factory-records","designSpec":"https://indexstyle.org/styles/factory-records/design.md","imagePrompt":"https://indexstyle.org/styles/factory-records/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}