{"id":"exhibition-modernism","no":272,"name":"Modernist Exhibition Design","ja":"モダニズム展示デザイン","era":"1920s–1940s","family":"展示デザイン","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Architectural Histories — Herbert Bayer's Section Allemande catalogue","url":"https://journal.eahn.org/article/id/7531/"},"reference":{"status":"verified","pageUrl":"https://journal.eahn.org/article/id/7531/","credit":"Architectural Histories — Herbert Bayer's Section Allemande catalogue","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/El%20Lissitsky%201928%20foldout.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:El%20Lissitsky%201928%20foldout.jpg","credit":"リシツキー「プレッサ」カタログ折込 1928"}]},"essence":"展示を「歩く印刷物」として設計した近代の運動。リシツキーの力動的な会場構成、バイヤーの視野拡張理論が、観客の動線と視線を編集する情報空間としての展示を発明した。","cues":["動線の設計","傾けられたパネル","写真の巨大化","視野を包む構成"],"intents":["技術","高揚","信頼"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"display","pair":["constructivism","bauhaus"],"study":["エル・リシツキー「プレッサ」1928","ヘルベルト・バイヤーの視野拡張図","リリー・ライヒの素材展示"],"en":{"essence":"The modernist movement that designed the exhibition as printed matter you walk through. Lissitzky's dynamic installations and Bayer's extended field of vision invented display as an information space that edits the visitor's path and gaze.","cues":["Choreographed circulation","Tilted panels","Photography at giant scale","Compositions wrapping the field of view"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["El Lissitzky's Pressa, 1928","Herbert Bayer's field-of-vision diagrams","Lilly Reich's material displays"]}}