{"id":"estridentismo","no":493,"name":"Estridentismo","ja":"エストリデンティスモ","era":"1921–1927","family":"ラテンアメリカ前衛","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Estridentismo","url":"https://en.wikipedia.org/wiki/Estridentismo"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Estridentismo","credit":"Wikipedia — Estridentismo","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/El%20desembarco%20de%20los%20espa%C3%B1oles%20de%20Alva%20de%20la%20Canal%2001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:El%20desembarco%20de%20los%20espa%C3%B1oles%20de%20Alva%20de%20la%20Canal%2001.jpg","credit":"Ramón Alva de la Canal《スペイン人の上陸》— Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ferm%C3%ADn%20Revueltas%20-%20The%20Five-cent%20Caf%C3%A9%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ferm%C3%ADn%20Revueltas%20-%20The%20Five-cent%20Caf%C3%A9%20-%20Google%20Art%20Project.jpg","credit":"Fermín Revueltas《5セントのカフェ》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ferm%C3%ADn%20Revueltas%20-%20Outdoor%20Scaffolding%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ferm%C3%ADn%20Revueltas%20-%20Outdoor%20Scaffolding%20-%20Google%20Art%20Project.jpg","credit":"Fermín Revueltas《屋外の足場》— Wikimedia Commons / Public domain"}]},"essence":"メキシコで、革命後の都市・電波・機械を讃えて叫ばれた前衛。木版の鋭い線、斜めに走る活字、電線とアンテナの図像が、雑誌とビラを通じて短期間に噴出した。ラテンアメリカ前衛が独自の速度を持った瞬間。","cues":["木版の鋭い線","斜行する活字組み","電線・アンテナ・機械の図像","二色刷りの強いコントラスト"],"intents":["高揚","未来","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["italian-futurism","mexican-muralism"],"study":["マヌエル・マプレス・アルセの宣言","雑誌『Irradiador』の版面","エストリドエンポリスという構想"],"en":{"essence":"A Mexican avant-garde that shouted its praise of the post-revolutionary city, of radio waves and machines. Sharp woodcut lines, type running on the diagonal and imagery of cables and aerials erupted over a few years through magazines and handbills. The moment Latin American vanguardism found a speed of its own.","cues":["Sharp woodcut lines","Type set on the diagonal","Imagery of cables, aerials and machinery","The hard contrast of two-colour printing"],"works":["Posters and covers for music and politics that must look printed in a hurry and made locally, two colours on cheap stock","Editorial systems where diagonal setting and one hard second colour give a publication its own noise"],"recipe":{"type":"Heavy grotesque mixed with woodletter, set at an angle across the page.","layout":"One dominant diagonal running corner to corner, with blocks of text set square against it for friction.","material":"Two inks, usually black and red, on coarse paper, with the woodcut's white bite left in the line."},"avoid":"Tilting a modern layout by a few degrees and calling it done: the angle only works when the letterforms are cut and the register is rough enough to look pushed out of a small press.","study":["Manuel Maples Arce's manifesto","The page layouts of the magazine Irradiador","The scheme called Estridentópolis"]}}