{"id":"emigre","no":406,"name":"Emigre","ja":"エミグレ","era":"1984–2005","family":"書体分類","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Emigre","url":"https://www.emigre.com/"},"reference":{"status":"verified","pageUrl":"https://www.emigre.com/","credit":"Emigre","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/FilosofiaWiki.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:FilosofiaWiki.jpg","credit":"ズザナ・リッコ《Filosofia》1996年 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Template%20Gothic%20font%20specimen.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Template%20Gothic%20font%20specimen.png","credit":"バリー・デック《Template Gothic》1990年 — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oakland%20(typeface%20name).svg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oakland%20(typeface%20name).svg","credit":"ズザナ・リッコ《Oakland Ten》の見本 — Wikimedia Commons / CC0"}]},"essence":"Mac登場と同時にデジタルの粗さを美学に変えた雑誌と活字鋳造所。ビットマップ書体、レイヤーの衝突、読みにくさの擁護が、90年代のデザイン論争の中心で新しい実験の場を開いた。","cues":["ビットマップ書体","レイヤーの衝突","誌面ごとの実験","読みやすさへの挑戦"],"intents":["反骨","技術","遊び"],"works":["書体そのものを主題にする雑誌や見本帳を、号ごとに作り替えるとき","低解像度の表示や粗い画面を、欠点でなく持ち味として見せたいとき"],"recipe":{"type":"画素の階段を消さずに拡大し、一枚に性格の違う書体を混ぜる","layout":"組版の枠を号ごとに捨て、文字と図版を重ねて層を作る","material":"画面の粗さを印刷へ持ち込み、紙の白を発光のように扱う"},"avoid":"読みにくさを目的にすると、実験だった当時の主張が抜け、単に情報が届かない誌面が残る。","colors":["#ece8d4","#e8cb3b","#242120"],"motif":"graphic","pair":["deconstructivism","grunge"],"study":["ズザナ・リッコの書体","ルディ・ヴァンダーランス","『Emigre』誌の論争"],"en":{"essence":"The magazine and foundry that turned digital coarseness into an aesthetic the moment the Mac appeared: bitmap faces, colliding layers and a defense of difficulty at the center of the 1990s design debates.","cues":["Bitmap typefaces","Colliding layers","An experiment per issue","Challenges to readability"],"works":["Magazines and specimens about type itself, rebuilt from scratch each issue","Low-resolution screens shown as a character rather than a defect"],"recipe":{"type":"Pixel stepping enlarged, not smoothed, several unlike faces on a page","layout":"The grid discarded each issue, text and image layered over each other","material":"Screen coarseness carried into print, paper white treated as glow"},"avoid":"Making difficulty the goal drains away the argument that once made it an experiment, leaving only a page where information fails to arrive.","study":["Zuzana Licko's typefaces","Rudy VanderLans","the Emigre debates"]},"links":{"page":"https://indexstyle.org/styles/emigre","json":"https://indexstyle.org/api/styles/emigre","designSpec":"https://indexstyle.org/styles/emigre/design.md","imagePrompt":"https://indexstyle.org/styles/emigre/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}