{"id":"emigre","no":447,"name":"Emigre","ja":"エミグレ","era":"1984–2005","family":"デジタルタイポグラフィ","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Emigre","url":"https://www.emigre.com/"},"reference":{"status":"verified","pageUrl":"https://www.emigre.com/","credit":"Emigre"},"essence":"Mac登場と同時にデジタルの粗さを美学に変えた雑誌と活字鋳造所。ビットマップ書体、レイヤーの衝突、読みにくさの擁護が、90年代のデザイン論争の中心で新しい実験の場を開いた。","cues":["ビットマップ書体","レイヤーの衝突","誌面ごとの実験","読みやすさへの挑戦"],"intents":["反骨","技術","遊び"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["deconstructivism","grunge"],"study":["ズザナ・リッコの書体","ルディ・ヴァンダーランス","『Emigre』誌の論争"],"en":{"essence":"The magazine and foundry that turned digital coarseness into an aesthetic the moment the Mac appeared: bitmap faces, colliding layers and a defense of difficulty at the center of the 1990s design debates.","cues":["Bitmap typefaces","Colliding layers","An experiment per issue","Challenges to readability"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Zuzana Licko's typefaces","Rudy VanderLans","the Emigre debates"]}}