{"id":"devetsil","no":293,"name":"Devětsil","ja":"デヴィェトシル","era":"1920–1931","family":"出版と編集","kind":"スタイル","collection":"Dictionary expansion 16","addedAt":"2026-08-18","source":{"title":"Monoskop — Karel Teige","url":"https://monoskop.org/Karel_Teige"},"reference":{"status":"verified","pageUrl":"https://monoskop.org/Karel_Teige","credit":"Monoskop — Karel Teige","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Karel%20Teige%2C%20Pozdrav%20z%20cesty%2C%201923%2C%20kol%C3%A1%C5%BE%2C%20pap%C3%ADr%2C%2033%2C1%20x%2023%2C5%20cm%2C%20GHMP.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Karel%20Teige%2C%20Pozdrav%20z%20cesty%2C%201923%2C%20kol%C3%A1%C5%BE%2C%20pap%C3%ADr%2C%2033%2C1%20x%2023%2C5%20cm%2C%20GHMP.png","credit":"カレル・タイゲ《旅からの挨拶》1923 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%C5%A0tyrsk%C3%BD%20Fantomas.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%C5%A0tyrsk%C3%BD%20Fantomas.jpg","credit":"インドジフ・シュティルスキー《ファントマ 体のない手》表紙 1930 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jind%C5%99ich%20%C5%A0tyrsk%C3%BD%20-%20Komin%C3%ADk%20a%20sn%C4%9Bhul%C3%A1k%20(1925).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jind%C5%99ich%20%C5%A0tyrsk%C3%BD%20-%20Komin%C3%ADk%20a%20sn%C4%9Bhul%C3%A1k%20(1925).jpg","credit":"インドジフ・シュティルスキー《煙突掃除人と雪だるま》1925 — Wikimedia Commons / Public domain"}]},"essence":"チェコの前衛集団。タイゲが提唱した「ピクチャー・ポエム」と装丁術は、写真・活字・記号を詩として組む構成主義の抒情版で、戦間期プラハを書物デザインの実験場に変えた。","cues":["ピクチャー・ポエム","写真と活字の合成","幾何学の抒情的使用","装丁の構成主義"],"intents":["遊び","反骨","静けさ"],"works":["詩集や文芸誌の装丁で、本文とは別の層として視覚詩を仕込むとき","写真と活字を並べ、説明ではなく連想で読ませる見開きを作るとき"],"recipe":{"type":"幾何サンセリフを詩行のように改行し、数字や記号も語として扱う","layout":"見開きを水平の帯に分け、写真と活字を段違いに置く","material":"原色の面と黒の細罫を重ね、切り貼りの縁を残して刷る"},"avoid":"構成主義の記号だけを借りると詩の側が抜け、意味のない幾何装飾を貼り込んだだけの書物になる。","colors":["#f4e3d9","#853735","#090d21"],"motif":"graphic","pair":["constructivism","new-typography"],"study":["カレル・タイゲ","ネズヴァルとポエティスム","戦後チェコブックデザインへの遺産"],"en":{"essence":"Teige gave the Czech avant-garde group its picture poem. Setting photograph, type and sign together as verse, the group's lyrical strain of constructivism turned interwar Prague into a laboratory of book design.","cues":["Picture poems","Photographs fused with type","Geometry used lyrically","Constructivist bookbinding"],"works":["Poetry books and literary journals where a visual poem runs beside the text","Spreads pairing photograph and type to be read by association, not explanation"],"recipe":{"type":"Geometric sans broken like verse lines, numerals and signs read as words","layout":"The spread banded horizontally, photograph and type staggered across it","material":"Primary flats with thin black rules, collage edges left showing"},"avoid":"Borrowing only the constructivist signs loses the poem and leaves a book decorated with geometry that means nothing.","study":["Karel Teige","Nezval and Poetism","the legacy in postwar Czech book design"]},"links":{"page":"https://indexstyle.org/styles/devetsil","json":"https://indexstyle.org/api/styles/devetsil","designSpec":"https://indexstyle.org/styles/devetsil/design.md","imagePrompt":"https://indexstyle.org/styles/devetsil/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}