{"id":"delftware","no":288,"name":"Delftware","ja":"デルフト焼","era":"1600s–","family":"陶磁の様式","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"Royal Delft（1653年創業）","url":"https://royaldelft.com/"},"reference":{"status":"verified","pageUrl":"https://royaldelft.com/","credit":"Royal Delft（1653年創業）","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Soup%20plate%2C%20c.%201760%2C%20Netherlandish%2C%20Delft%2C%20faience%2C%20Honolulu%20Museum%20of%20Art.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Soup%20plate%2C%20c.%201760%2C%20Netherlandish%2C%20Delft%2C%20faience%2C%20Honolulu%20Museum%20of%20Art.JPG","credit":"デルフト焼の皿 1760頃（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Delft%20Flower%20pyramid%20c1690%20VA%20C19-1982.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Delft%20Flower%20pyramid%20c1690%20VA%20C19-1982.jpg","credit":"デルフトのフラワー・ピラミッド 1695年頃（V&A） — Wikimedia Commons / Public domain"}]},"essence":"中国磁器への憧れからオランダ・デルフトが生んだ錫釉陶器。藍一色で風車・帆船・東洋風景を描き、「青と白」を西洋の食卓と室内の様式語に定着させたシノワズリの実装例。","cues":["藍一色の絵付","錫釉の白地","東洋モチーフの翻案","タイルと食器の展開"],"intents":["高級","懐かしさ","静けさ"],"works":["食器と壁面を、藍一色の絵付で一つの部屋にまとめるとき","東洋の意匠を、翻案であることを隠さずに使うとき"],"recipe":{"type":"銘は皿の裏に小さく置き、表は絵だけで構成する","layout":"タイルは一枚ごとに完結させ、四隅の小紋で連なりを作る","material":"錫釉の白地に呉須で一発描き、修正のきかない筆で通す"},"avoid":"本物の磁器に似せることを目標にすると、厚い陶胎と筆致の勢いという持ち味が欠点に変わる","colors":["#e9f1f3","#8ba2b4","#2e5774"],"motif":"world","pair":["chinoiserie","azulejo"],"study":["景徳鎮磁器の模倣から独自様式へ","デルフトタイル","ロイヤル・デルフトの現在"],"en":{"essence":"Longing for Chinese porcelain, Delft produced tin-glazed pottery of its own. Windmills, ships and Eastern scenes painted in blue alone fixed 'blue and white' as a Western language of table and room, chinoiserie put into practice.","cues":["Painting in blue alone","White tin-glaze ground","Eastern motifs translated","From tiles to tableware"],"works":["Pulling tableware and walls into one room through blue painting alone","Using Eastern motifs while admitting openly that they are translations"],"recipe":{"type":"Keep marks small on the underside and leave the face to painting","layout":"Let each tile stand alone, with corner motifs linking them into a field","material":"Cobalt on white tin glaze, painted in one pass with no correction"},"avoid":"Aiming to pass as real porcelain turns the thick earthenware body and the speed of the brush from virtues into faults.","study":["from imitating Jingdezhen to a style of its own","Delft tiles","Royal Delft today"]},"links":{"page":"https://indexstyle.org/styles/delftware","json":"https://indexstyle.org/api/styles/delftware","designSpec":"https://indexstyle.org/styles/delftware/design.md","imagePrompt":"https://indexstyle.org/styles/delftware/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}