{"id":"dansaekhwa","no":700,"name":"Dansaekhwa","ja":"単色画（ダンセクファ）","era":"1970s–","family":"戦後抽象絵画","kind":"スタイル","essence":"韓国で、白や土色の限られた色域を、押す、引く、染み込ませる、裂く、反復する身体行為へ結び付けた絵画。単色の見た目より、支持体へ長時間働き掛けた痕跡と物質性が画面の密度を作る。","cues":["白、生成り、灰、土色を中心にした狭い色域","線、点、折り目、押圧を画面全体へ反復","麻、韓紙、絵具が吸収・盛上がりを見せる","遠目では静か、近くでは手の時間が密に見える"],"intents":["静けさ","技術","信頼"],"pair":["minimalism","art-informel"],"study":["Park Seo-bo, Lee Ufan and Ha Chong-hyun","Écriture, Conjunction and methodical repetition","Korean materiality and the limits of the monochrome label"],"works":["静かな単色面へ、手作業の時間と素材の抵抗を残したいとき","パッケージや空間で、遠景の静けさと近景の触覚を両立するとき"],"recipe":{"type":"文字量を抑え、細い縦組みまたは小さな横組みで反復の外に置く。","layout":"画面全体へ同じ単位を反復しながら、圧力、間隔、吸収の差を微細に残す。","material":"韓紙または繊維の見える支持体へ白土色の顔料を押し、引き、裏から浸透させる。"},"avoid":"白いミニマリズムとしてだけ説明しない。韓国の戦後史、作家ごとの工程、支持体への行為を明示する。","colors":["#E4DED0","#B7AD9B","#77736A"],"motif":"field","collection":"Dictionary expansion 40","addedAt":"2026-08-23","source":{"title":"National Museum of Modern and Contemporary Art, Korea — Dansaekhwa: Korean Monochrome Painting","url":"https://www.mmca.go.kr/exhibitions/exhibitionsDetail.do?exhId=201203200000055&menuId=1030000000"},"reference":{"status":"verified","pageUrl":"https://www.mmca.go.kr/exhibitions/exhibitionsDetail.do?exhId=201203200000055&menuId=1030000000","credit":"National Museum of Modern and Contemporary Art, Korea — Dansaekhwa: Korean Monochrome Painting"},"en":{"essence":"Korean painting in which narrow fields of white, earth, and grey are joined to repeated acts of pressing, pulling, soaking, tearing, and marking; duration and resistance of the support create density beyond the monochrome look.","cues":["Restricted white, raw, grey, and earth palette","Lines, points, folds, or pressure repeated across the field","Hemp, hanji, and paint showing absorption and relief","Quiet at distance and densely tactile up close"],"works":["Holding the time of handwork and material resistance inside a quiet monochrome field","Balancing distant calm and close tactility in space, packaging, or print"],"recipe":{"type":"Keep type sparse and outside the repeated field.","layout":"Repeat one unit across the surface while preserving small differences in pressure, interval, and absorption.","material":"Press, pull, or soak white-earth pigment through hanji or another visibly fibrous support."},"avoid":"Do not explain it only as white Minimalism. Name its Korean postwar history, artist-specific processes, and actions upon the support.","study":["Park Seo-bo, Lee Ufan and Ha Chong-hyun","Écriture, Conjunction and methodical repetition","Korean materiality and the limits of the monochrome label"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}