{"id":"critical-regionalism","no":497,"name":"Critical Regionalism","ja":"クリティカル・リージョナリズム","era":"1980s–","family":"近現代建築","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Wikipedia — Critical regionalism","url":"https://en.wikipedia.org/wiki/Critical_regionalism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Critical_regionalism","credit":"Wikipedia — Critical regionalism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bagsv%C3%A6rd%20Church%20vaults.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bagsv%C3%A6rd%20Church%20vaults.jpg","credit":"ヨーン・ウツソン《バウスヴェア教会》1976年 — Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Casa%20Gilardi%20de%20Luis%20Barrag%C3%A1n%2C%202024.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Casa%20Gilardi%20de%20Luis%20Barrag%C3%A1n%2C%202024.jpg","credit":"ルイス・バラガン《カサ・ヒラルディ》 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Facade%20Slats%20Kakadu%20NP%20Visitor%20Centre%20Glenn%20Murcutt.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Facade%20Slats%20Kakadu%20NP%20Visitor%20Centre%20Glenn%20Murcutt.jpg","credit":"グレン・マーカット《カカドゥ国立公園ビジターセンター》 — Wikimedia Commons / CC BY 2.0"}]},"essence":"国際様式の均質さにも、郷土趣味の懐古にも与しない立場。土地の気候・地形・素材・光を設計の条件として引き受けながら、近代建築の言語で応答する。場所に根ざすことと後ろ向きであることを切り離した。","cues":["土地の素材と工法の採用","気候に応える断面と開口","地形に沿った配置","装飾ではなく条件としての地域性"],"intents":["信頼","静けさ","技術"],"works":["場所に固有の条件を、様式ではなく設計根拠にする","近代的な言語のまま土着性を扱う"],"recipe":{"type":"現地の表示体系を尊重し、輸入した書体で上書きしない","layout":"日射と風向きから断面を決め、平面はその結果とする","material":"産地の素材を、現代の工法で扱う"},"avoid":"民芸的な意匠を貼るのは正反対の態度である。地域性は見た目ではなく条件として入れる。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["tropical-modernism","metabolist-architecture"],"study":["フランプトンによる六つの点","ウツソンとバラガンの参照","国際様式批判としての位置"],"en":{"essence":"A position that sides neither with the uniformity of the International Style nor with the nostalgia of local revivalism. It takes on the climate, terrain, materials and light of a place as conditions of the design and answers them in the language of modern architecture. It separated being rooted in a place from being backward looking.","cues":["Adoption of local materials and building methods","Section and openings that answer the climate","Siting that follows the terrain","Regional character as a condition rather than as ornament"],"works":["Turning conditions specific to a place into design reasoning rather than style","Handling the vernacular while staying in a modern language"],"recipe":{"type":"Respect the local sign system and do not overwrite it with an imported typeface.","layout":"Decide the section from sunlight and wind direction and let the plan follow from it.","material":"Work materials from the region with contemporary methods."},"avoid":"Applying folk craft motifs is the opposite attitude. Regional character enters as a condition, not as an appearance.","study":["Frampton's six points","The references to Utzon and Barragán","Its position as a critique of the International Style"]}}