{"id":"color-field-painting","no":149,"name":"Color Field Painting","ja":"カラーフィールド・ペインティング","era":"late 1940s–1960s","family":"戦後抽象絵画","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Color Field Painting","url":"https://www.moma.org/collection/terms/color-field-painting"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/color-field-painting","credit":"MoMA — Color Field Painting","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Rothko%20chapel%20interior.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Rothko%20chapel%20interior.jpg","credit":"ロスコ・チャペル内部（CC BY-SA 4.0）"},{"imageUrl":"https://live.staticflickr.com/8479/8256175790_8c7aa48474.jpg","pageUrl":"https://www.flickr.com/photos/47357563@N06/8256175790","credit":"モーリス・ルイス『Saraband』1959 展示写真（Jennifer Mei, CC BY 2.0）"}]},"essence":"大きく連続する色面、染み込む境界、少ない形により、画面全体を包む色の空間と長い知覚体験をつくる。","cues":["巨大な色面","染み込む輪郭","少数の形","没入するスケール"],"intents":["静けさ","高級","高揚"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"単なるグラデーション背景にせず、面積、隣接色、境界、観者との距離が感情をどう変えるかを設計する。","colors":["#d87963","#7e596d","#2b2938"],"motif":"painting","pair":["abstract-expressionism","minimalism"],"study":["Mark Rothko","Barnett Newman","Helen Frankenthaler","Sam Gilliam"],"en":{"essence":"Builds spaces of color that envelop the viewer — large continuous fields, soaked edges, few forms, long perceptual time.","cues":["Vast color fields","Soaked contours","Few forms","Immersive scale"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not a gradient backdrop. Design how area, adjacency, edge and viewing distance change the feeling.","study":["Mark Rothko","Barnett Newman","Helen Frankenthaler","Sam Gilliam"]}}