{"id":"cobra","no":405,"name":"CoBrA","ja":"コブラ","era":"1948–1951","family":"前衛","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Cobra Museum of Modern Art","url":"https://www.cobra-museum.nl/en/"},"reference":{"status":"verified","pageUrl":"https://www.cobra-museum.nl/en/","credit":"Cobra Museum of Modern Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Appel%20in%20Slotervaart%20(1).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Appel%20in%20Slotervaart%20(1).jpg","credit":"カレル・アペル ガラス壁画（スロテルファールト病院、アムステルダム） — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Serigraphy%20Alechinsky%202.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Serigraphy%20Alechinsky%202.jpg","credit":"ピエール・アレシンスキー カラーリトグラフ（ヘルダーラント州立コレクション） — Wikimedia Commons / CC BY 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Karel%20Appel%20-%20Frog%20and%20Kat%20(26726524456).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Karel%20Appel%20-%20Frog%20and%20Kat%20(26726524456).jpg","credit":"カレル・アペル《Frog and Kat》 — Wikimedia Commons / CC BY-SA 2.0"}]},"essence":"コペンハーゲン・ブリュッセル・アムステルダムを結んだ戦後前衛。子どもの絵と民俗芸術の直接性を掲げ、荒い筆致と原色の生き物たちで、洗練への不信を国際様式にした。","cues":["子どもの絵の直接性","荒い筆致の生き物","原色の衝突","計画の拒否"],"intents":["反骨","遊び","高揚"],"works":["子ども向けの本や施設の壁面を、教えるより先に驚かせたいとき","即興演奏や実験音楽の告知を、整った版面から外したいとき"],"recipe":{"type":"文字も手で描き、大きさと傾きを揃えずに絵と同じ層に置く","layout":"下描きを立てず、画面の端まで生き物を描き切ってから余りを埋める","material":"赤青黄と黒を厚く塗り、筆の跡と塗り残しをそのまま残す"},"avoid":"下手に見せることを狙うと、手つきの速さも生き物の実在感も出ず、幼さを演じただけの絵になる。","colors":["#f7e9d3","#1d578f","#1c1326"],"motif":"graphic","pair":["lowbrow","naive"],"study":["カレル・アペル","アスガー・ヨルン","機関誌『Cobra』"],"en":{"essence":"A postwar avant-garde that linked Copenhagen, Brussels and Amsterdam. Holding up the directness of children's drawings and folk art, it painted rough-brushed creatures in primary colors and turned distrust of refinement into an international style.","cues":["The directness of children's drawing","Rough-brushed creatures","Colliding primaries","The refusal of planning"],"works":["Children's books and building walls meant to startle before they instruct","Announcements for improvised or experimental music that should escape tidy layout"],"recipe":{"type":"Letters drawn by hand, uneven in size, living beside the figures","layout":"No underdrawing, creatures pushed to the edges, gaps filled after","material":"Thick red, blue, yellow and black with brushmarks left showing"},"avoid":"Aiming to look unskilled produces neither the speed of the hand nor a creature that exists, only a picture performing childishness.","study":["Karel Appel","Asger Jorn","the journal Cobra"]},"links":{"page":"https://indexstyle.org/styles/cobra","json":"https://indexstyle.org/api/styles/cobra","designSpec":"https://indexstyle.org/styles/cobra/design.md","imagePrompt":"https://indexstyle.org/styles/cobra/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}