{"id":"cobra","no":445,"name":"CoBrA","ja":"コブラ","era":"1948–1951","family":"国際前衛芸術","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Cobra Museum of Modern Art","url":"https://www.cobra-museum.nl/en/"},"reference":{"status":"verified","pageUrl":"https://www.cobra-museum.nl/en/","credit":"Cobra Museum of Modern Art"},"essence":"コペンハーゲン・ブリュッセル・アムステルダムを結んだ戦後前衛。子どもの絵と民俗芸術の直接性を掲げ、荒い筆致と原色の生き物たちで、洗練への不信を国際様式にした。","cues":["子どもの絵の直接性","荒い筆致の生き物","原色の衝突","計画の拒否"],"intents":["反骨","遊び","高揚"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["lowbrow","naive"],"study":["カレル・アペル","アスガー・ヨルン","機関誌『Cobra』"],"en":{"essence":"The postwar avant-garde linking Copenhagen, Brussels and Amsterdam: the directness of children's drawing and folk art, rough-brushed creatures in primary color — distrust of refinement made an international style.","cues":["The directness of children's drawing","Rough-brushed creatures","Colliding primaries","The refusal of planning"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Karel Appel","Asger Jorn","the journal Cobra"]}}