{"id":"cloisonnism","no":423,"name":"Cloisonnism","ja":"クロワゾニスム","era":"1888–1895","family":"世紀末芸術","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Wikipedia — Cloisonnism","url":"https://en.wikipedia.org/wiki/Cloisonnism"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Cloisonnism","credit":"Wikipedia — Cloisonnism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/La%20vision%20apr%C3%A8s%20le%20sermon%20(Paul%20Gauguin).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:La%20vision%20apr%C3%A8s%20le%20sermon%20(Paul%20Gauguin).jpg","credit":"Paul Gauguin《説教のあとの幻影》1888 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Emile%20Bernard%2C%20Apple%20Pickers%20at%20Pont-Aven%2C%201888.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Emile%20Bernard%2C%20Apple%20Pickers%20at%20Pont-Aven%2C%201888.jpg","credit":"Émile Bernard《ポン=タヴェンのりんご摘み》1888 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%C3%89mile%20Bernard%201888-08%20-%20Breton%20Women%20in%20the%20Meadow%20(Le%20Pardon%20de%20Pont-Aven).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%C3%89mile%20Bernard%201888-08%20-%20Breton%20Women%20in%20the%20Meadow%20(Le%20Pardon%20de%20Pont-Aven).jpg","credit":"Émile Bernard《牧場のブルターニュの女たち》1888 — Wikimedia Commons / Public domain"}]},"essence":"七宝の仕切り線から名を得た、太い輪郭線で囲った平坦な色面による描法。浮世絵とステンドグラスの見方を油彩へ持ち込み、陰影による立体を捨てて記憶の中の色を置く。ポスターの平面性を準備した技法。","cues":["太く暗い輪郭線","陰影のない平坦な色面","装飾的に単純化された形","記憶の色による彩色"],"intents":["高級","親密","静けさ"],"works":["ステンドグラスや陶板のように、面ごとに色を分けて作るとき","写生ではなく記憶の風景を、単純な形と色で描き起こすとき"],"recipe":{"type":"文字は色面の外に置き、輪郭と同じ太さの黒で、手書きか角ばった書体にする","layout":"画面を数個の大きな色面に隙間なく分け、境界を太い線で仕切る","material":"陰影も階調も作らず、記憶にある色を暗い輪郭の内側へ平らに置く"},"avoid":"太い輪郭を後から足すだけでは色面の分割が生まれず、線で囲った普通の絵になる。色面の内側に陰影や奥行きを戻せば、七宝のような平面性も壊れる。","colors":["#d7d4bf","#bd3c10","#151215"],"motif":"graphic","pair":["japonisme","art-nouveau"],"study":["ベルナールとアンクタンの実験","ジャポニスムの受容","サンテティスム（総合主義）との関係"],"en":{"essence":"A manner of painting named after the partitions of cloisonné enamel: flat fields of colour enclosed by heavy contour lines. It brought the way of seeing of ukiyo-e prints and stained glass into oil painting, abandoning shaded volume in favour of colour laid down from memory. The technique that prepared the flatness of the poster.","cues":["Thick, dark contour lines","Flat colour fields without shading","Decoratively simplified shapes","Colouring drawn from memory"],"works":["Work built cell by cell in separate colours, like stained glass or tilework","Drawing a remembered landscape in simple shapes and colour rather than from life"],"recipe":{"type":"Set lettering outside the cells in black at the keyline weight, hand drawn or slab","layout":"Divide the picture into a few large cells, edge to edge, partitioned by heavy lines","material":"Flat unmodulated colour from memory inside dark contours, with no shadow or gradient"},"avoid":"Adding heavy outlines afterwards produces no division of colour, only an ordinary picture inside lines. Letting shading or depth back into the cells breaks the enamel like flatness.","study":["The experiments of Bernard and Anquetin","The reception of Japonisme","The relationship with Synthetism"]},"links":{"page":"https://indexstyle.org/styles/cloisonnism","json":"https://indexstyle.org/api/styles/cloisonnism","designSpec":"https://indexstyle.org/styles/cloisonnism/design.md","imagePrompt":"https://indexstyle.org/styles/cloisonnism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}