{"id":"chippendale-style","no":524,"name":"Chippendale","ja":"チッペンデール","era":"1750s–1760s","family":"家具とインテリア","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: Chippendale (300021214)","url":"https://vocab.getty.edu/page/aat/300021214"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300021214","credit":"Getty Research Institute — Art & Architecture Thesaurus: Chippendale (300021214)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Pair%20of%20side%20chairs%20MET%20DP111237.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Pair%20of%20side%20chairs%20MET%20DP111237.jpg","credit":"《サイドチェア（一対のうち）》英国 1755年頃 メトロポリタン美術館 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Looking%20Glass%2C%20England%2C%201750-1770%2C%20mahogany%20and%20gilded%20softwood%20-%20Chazen%20Museum%20of%20Art%20-%20DSC02559.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Looking%20Glass%2C%20England%2C%201750-1770%2C%20mahogany%20and%20gilded%20softwood%20-%20Chazen%20Museum%20of%20Art%20-%20DSC02559.JPG","credit":"《鏡》英国 1750–1770年 チェイゼン美術館 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/American%20Chippendale%20style%20kneehole%20dressing%20table%2C%20c.%201770%2C%20mahogany%2C%20HAA.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:American%20Chippendale%20style%20kneehole%20dressing%20table%2C%20c.%201770%2C%20mahogany%2C%20HAA.JPG","credit":"《チッペンデール様式の化粧台》1770年頃 ホノルル美術館 — Wikimedia Commons / CC0"}]},"essence":"1750年代から1760年代の英国家具の様式。家具師トマス・チッペンデールの図案に基づいて各地の工房が作ったため、個人名がそのまま様式の名になった。骨格はロココのままで、透かし彫りと装飾彫りを背もたれや脚に集中させる。","cues":["背もたれが板ではなく透かし彫りで抜かれ、向こう側が見える","縁と脚に彫りの装飾が集まり、平らなままの面が残らない","ロココ由来の曲線が脚と笠木を通り、角が直線で切れない","彫りが表面に貼った飾りではなく、材の厚みから削り出されている"],"intents":["高級","高揚","技術"],"works":["英国式の応接や書斎を再現する内装で、椅子の背をどう抜くか決めるとき","彫りの密度が高い家具を発注する際に、ロココとの違いを職人に説明したいとき"],"recipe":{"type":"家具に文字は載らない。図面や札に添えるなら、18世紀英国の版刻に近い細いローマン体を小さく組む。","layout":"正面の輪郭を左右対称に保ち、背もたれの抜きに視線を集める。脚と笠木の曲線を一本の流れとしてつなぐ。","material":"木を削り出して抜きと彫りを作る。飾りを貼らず、材の厚みの中で立体を出す。仕上げは木目が読める塗りにとどめる。"},"avoid":"彫りを全面に均一に散らすと、抜きと彫りを一点に集めて他を無地で持たせる釣り合いが崩れ、装飾だけが騒がしくなる。","colors":["#5C3320","#8A5A38","#C9B292"],"motif":"graphic","pair":["rococo","shaker-design"],"study":["透かし彫りの抜きの形が作例ごとにどこまで変わるか","ロココの曲線がどこまで残り、どこから彫りに置き換わるか","Director Style という別名で呼ばれる作例がどの範囲を指すか"],"en":{"essence":"English furniture of the 1750s and 1760s, made to the designs of the cabinetmaker Thomas Chippendale, whose name then became the name of the style. Getty also records it as the Director Style. The framework stays largely Rococo, and what identifies a piece is openwork and ornamental carving gathered into the chair back and the legs.","cues":["Chair backs pierced with openwork rather than left as solid splats, so the wall shows through","Carved ornament gathered along edges and legs, leaving few flat surfaces","Rococo curves carried through the legs and top rail instead of square corners","Ornament cut out of the thickness of the wood, not applied to its face"],"works":["Deciding how a chair back should be pierced when recreating an English drawing room or study","Explaining to a maker how a heavily carved commission should differ from plain Rococo"],"recipe":{"type":"Furniture carries no lettering. On drawings or labels, set a fine roman close to eighteenth century English engraving, kept small.","layout":"Hold the front elevation symmetrical and let the pierced back take the eye. Run the curve of the legs and the top rail as one continuous line.","material":"Cut the openwork and carving from solid wood rather than applying ornament to the face. Finish so the grain still reads."},"avoid":"Spreading the carving evenly across every surface breaks the balance the style needs, where ornament concentrates in one place and the rest stays plain.","study":["how far the cut shapes of the openwork carving vary from piece to piece","how much of the Rococo curve remains, and where carving takes over","what range of work is meant by the alternative name Director Style"]}}