{"id":"chinoiserie","no":257,"name":"Chinoiserie","ja":"シノワズリ","era":"17th–18th century","family":"異文化受容","kind":"スタイル","collection":"Dictionary expansion 12","addedAt":"2026-08-18","source":{"title":"V&A — Chinoiserie, an introduction","url":"https://www.vam.ac.uk/articles/chinoiserie-an-introduction"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/articles/chinoiserie-an-introduction","credit":"V&A — Chinoiserie, an introduction","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hellbrunn%20Schloss%20-%20Chinesisches%20Zimmer%202%20Tapete.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hellbrunn%20Schloss%20-%20Chinesisches%20Zimmer%202%20Tapete.jpg","credit":"ヘルブルン宮殿の中国の間（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hellbrunn%20Schloss%20-%20Chinesisches%20Zimmer%201%20Tapete.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hellbrunn%20Schloss%20-%20Chinesisches%20Zimmer%201%20Tapete.jpg","credit":"中国の間の壁紙（CC BY-SA 4.0）"}]},"essence":"ヨーロッパが想像した中国趣味。輸入磁器や漆器への憧れが、壁紙・家具・庭園のパゴダへ展開し、ロココの軽やかさと結びついた。実像ではなく欲望が生んだ装飾世界として読む。","cues":["空想の東洋モチーフ","パゴダと格子","漆と磁器の質感","壁紙の連続画"],"intents":["高級","遊び","懐かしさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"無邪気な異国趣味として流用しない。想像と実像の距離、収奪の歴史まで含めて扱う。","colors":["#e9e6dd","#67635d","#171615"],"motif":"architecture","pair":["japonisme","rococo"],"study":["輸出漆器と磁器","ブライトン・ロイヤル・パビリオン","オリエンタリズム批評"],"en":{"essence":"Europe's imagined China: longing for imported porcelain and lacquer unfolded into wallpaper, furniture and garden pagodas, joined to Rococo lightness. Read it as a decorative world born of desire, not description.","cues":["Fantasized Eastern motifs","Pagodas and lattices","Lacquer and porcelain textures","Continuous wallpaper scenes"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reuse it as innocent exoticism. Handle the distance between image and reality, including the history of appropriation.","study":["export lacquer and porcelain","the Royal Pavilion at Brighton","the critique of Orientalism"]}}