{"id":"bullet-time","no":229,"name":"Bullet Time","ja":"バレットタイム","era":"1999–","family":"映画技術","kind":"技法","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"befores & afters — The Bullet Time rig from The Matrix","url":"https://beforesandafters.com/2021/07/15/vfx-artifacts-the-bullet-time-rig-from-the-matrix/"},"reference":{"status":"verified","pageUrl":"https://beforesandafters.com/2021/07/15/vfx-artifacts-the-bullet-time-rig-from-the-matrix/","credit":"befores & afters — The Bullet Time rig from The Matrix"},"essence":"静止カメラを弧状に並べて同時・順次に発火させ、時間をほぼ止めたまま視点だけが動く映像をつくる。『マトリックス』が仮想カメラの概念を大衆化した。","cues":["凍結した時間","移動する視点","カメラの弧","実写と補間の混合"],"intents":["未来","高揚","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"スローモーションの派手さと混同しない。核心は時間と視点の分離にある。","colors":["#e9e6dd","#67635d","#171615"],"motif":"motion","pair":["slit-scan","cyberpunk"],"study":["ジョン・ゲイタ","ティム・マクミランのタイムスライス","バーチャルプロダクションへの系譜"],"en":{"essence":"An arc of still cameras fired at once or in sequence: time nearly stops while the viewpoint alone moves. The Matrix popularized the idea of the virtual camera.","cues":["Frozen time","A traveling viewpoint","The arc of cameras","Live action mixed with interpolation"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't confuse it with the flash of slow motion. The heart is the separation of time from viewpoint.","study":["John Gaeta","Tim Macmillan's time-slice work","the lineage into virtual production"]}}