{"id":"blue-note","no":301,"name":"Blue Note Style","ja":"ブルーノート・スタイル","era":"1955–1967","family":"音楽グラフィック","kind":"スタイル","collection":"Dictionary expansion 16","addedAt":"2026-08-18","source":{"title":"Blue Note Records","url":"https://www.bluenote.com/"},"reference":{"status":"verified","pageUrl":"https://www.bluenote.com/","credit":"Blue Note Records","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/John%20Coltrane%20-%20Blue%20Train.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:John%20Coltrane%20-%20Blue%20Train.jpg","credit":"リード・マイルス（写真=フランシス・ウルフ）《John Coltrane / Blue Train》1957 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Horace%20Silver%20and%20the%20Jazz%20Messengers.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Horace%20Silver%20and%20the%20Jazz%20Messengers.jpg","credit":"リード・マイルス《Horace Silver and the Jazz Messengers》1956 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Somethin%E2%80%99%20Else.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Somethin%E2%80%99%20Else.jpg","credit":"ブルーノート・レコード《Cannonball Adderley / Somethin' Else》1958 — Wikimedia Commons / Public domain"}]},"essence":"リード・マイルスがジャズレーベルのために量産した、モノクロ写真・二色刷・大胆にトリミングされた文字のジャケット様式。制約の中の即興が、ジャズそのもののグラフィック翻訳になった。","cues":["粒子の粗いモノクロ写真","二色刷の経済","大胆なトリミング","文字の即興的レイアウト"],"intents":["高級","反骨","静けさ"],"works":["音源や催しの告知を、二色刷の制約下で強く見せたいとき","人物写真一枚を主役に、文字の側で音の質感を語らせたいとき"],"recipe":{"type":"一書体を極端な大小で使い分け、行を写真の縁で断ち切る","layout":"写真を片側に寄せ、空いた側を文字の即興に明け渡す","material":"墨と一色の特色だけで刷り、写真の粒子を潰さない"},"avoid":"色数を増やして写真を明るく整えると、制約が生んでいた緊張が抜け、ただ整った音楽広告になる。","colors":["#b6d4d9","#1890a2","#05070a"],"motif":"graphic","pair":["swiss","factory-records"],"study":["リード・マイルス","フランシス・ウルフの写真","レーベル美学の系譜"],"en":{"essence":"Reid Miles turned out sleeve after sleeve for the jazz label with monochrome photography, two-color printing and boldly cropped type. Improvisation inside constraint became the graphic translation of jazz itself.","cues":["Grainy monochrome photographs","Two-color economy","Bold cropping","Improvised type layouts"],"works":["Record or event promotion that must look strong within two-color printing","A single portrait carrying the piece while type speaks the texture of the sound"],"recipe":{"type":"One face used at extreme size contrasts, lines cut off at the photograph's edge","layout":"The photograph pushed to one side, the freed side given over to improvised type","material":"Black plus a single spot color only, the photograph's grain left intact"},"avoid":"Adding inks and cleaning up the photograph drains the tension that constraint produced and leaves a tidy music advertisement.","study":["Reid Miles","Francis Wolff's photographs","the lineage of label aesthetics"]},"links":{"page":"https://indexstyle.org/styles/blue-note","json":"https://indexstyle.org/api/styles/blue-note","designSpec":"https://indexstyle.org/styles/blue-note/design.md","imagePrompt":"https://indexstyle.org/styles/blue-note/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}