{"id":"blue-green-landscape","no":763,"name":"Blue-and-Green Landscape","ja":"青緑山水","era":"Tang tradition onward","family":"東アジア絵画","kind":"スタイル","source":{"title":"National Palace Museum — Blue-and-green landscape collections","url":"https://digitalarchive.npm.gov.tw/Collection/Detail/1438?dep=P"},"essence":"山や岩へ青・緑の顔料を重ね、輪郭、墨の質感、色の層で山水を組む中国絵画の系統。唐代の伝統に結び付き、その後も古い画法を再解釈しながら続いた。青緑を使う風景全般ではなく、色を置く範囲や下の墨との関係が作例ごとに異なる。","cues":["山や岩へ置く青と緑の層","輪郭と色、下の墨が作る立体","雲、水、道が山々のまとまりを分ける","細かな建築や人物と大きな峰の尺度差"],"intents":["高揚","静けさ"],"pair":["gongbi","wu-school"],"study":["National Palace Museum — Yuan blue-and-green landscapes","Wu Li — Green Mountains and White Clouds, 1668","Wang Ximeng — A Thousand Li of Rivers and Mountains"],"works":["中国山水の展示で、墨と鉱物色の関係を時代別に比較するとき","横長の出版面で、峰、雲、道のまとまりから視線の流れを作るとき"],"recipe":{"type":"注記は山の輪郭から離し、全図と部分図を明確に分ける。","layout":"山のまとまりを雲や水で分け、小さな道や建築で視線をつなぐ。","material":"青緑の層を墨の輪郭や質感に重ね、画面全体を一様に塗らない試験を行う。"},"avoid":"青と緑の配色だけを伝統名にしない。全作品が金の線や厚い不透明色を使うとは限らず、後代の復古と作者の帰属も区別する。","colors":["#426D87","#668361","#CDBA8A"],"motif":"landscape","collection":"Dictionary expansion 50","addedAt":"2026-10-05","reference":{"status":"verified","pageUrl":"https://digitalarchive.npm.gov.tw/Collection/Detail/1438?dep=P","credit":"National Palace Museum — Blue-and-green landscape collections","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/1c%20Wang%20Ximeng.%20A%20Thousand%20Li%20of%20Rivers%20and%20Mountains.%20(51%2C3x1191%2C5cm)1113.%20(section)%20Palace%20museum%2C%20Beijing.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:1c%20Wang%20Ximeng.%20A%20Thousand%20Li%20of%20Rivers%20and%20Mountains.%20(51%2C3x1191%2C5cm)1113.%20(section)%20Palace%20museum%2C%20Beijing.jpg","credit":"Wang Ximeng, A Thousand Li of Rivers and Mountains, 1113 (detail) — Palace Museum, Beijing — Wikimedia Commons / Public domain"}]},"en":{"essence":"A Chinese landscape tradition using blue and green pigments on mountains and rocks, coordinated with outlines, ink texture and colour layers. Linked to Tang precedents and later reinterpretations, it is not simply a blue-green palette. Works differ in where colour is placed and how it interacts with the ink beneath.","cues":["Blue and green layers on peaks and rocks","Contours, colour and underlying ink create volume","Clouds, water and paths separate groups of mountains","Small buildings or figures contrast with large peaks"],"works":["Comparing ink and mineral colour across periods in a Chinese landscape exhibition","Organising a wide publication through groups of peaks, clouds and paths"],"recipe":{"type":"Keep labels away from mountain contours and explicitly distinguish whole works from details.","layout":"Separate mountain groups with clouds or water, linking them through small paths and buildings.","material":"Test blue-green layers over ink drawing and texture without uniformly covering the entire surface."},"avoid":"A palette alone does not establish the tradition. Not every example has gold contours or thick opaque colour; distinguish later revivals and uncertain attributions."},"links":{"page":"https://indexstyle.org/styles/blue-green-landscape","json":"https://indexstyle.org/api/styles/blue-green-landscape","designSpec":"https://indexstyle.org/styles/blue-green-landscape/design.md","imagePrompt":"https://indexstyle.org/styles/blue-green-landscape/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}