{"id":"beggarstaffs","no":279,"name":"Beggarstaff Style","ja":"ベガースタッフ・スタイル","era":"1894–1899","family":"広告ポスター","kind":"スタイル","collection":"Dictionary expansion 14","addedAt":"2026-08-18","source":{"title":"The Fitzwilliam Museum — Beggarstaffs","url":"https://fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/beggarstaffs-william-nicholson-and-james-pryde"},"reference":{"status":"verified","pageUrl":"https://fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/beggarstaffs-william-nicholson-and-james-pryde","credit":"The Fitzwilliam Museum — Beggarstaffs","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/PP%20D257%20poster%20by%20the%20brothers%20beggarstaff%20for%20lyceum%20don%20quixote.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:PP%20D257%20poster%20by%20the%20brothers%20beggarstaff%20for%20lyceum%20don%20quixote.jpg","credit":"ベガースタッフ兄弟『ドン・キホーテ』ポスター 1895"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/PP%20D261%20poster%20by%20the%20brothers%20beggarstaff%20for%20harper's%20magazine.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:PP%20D261%20poster%20by%20the%20brothers%20beggarstaff%20for%20harper's%20magazine.jpg","credit":"『Harper's Magazine』ポスター 1895"}]},"essence":"ニコルソンとプライドが切り紙で組み立てた、輪郭を省き平面色の形だけで対象を要約するポスター様式。当時は売れなかったが、その大胆な省略が20世紀ポスターの先駆になった。","cues":["切り紙による平面形","輪郭線の省略","少数色の大きな面","未完成に見える大胆さ"],"intents":["反骨","静けさ","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["plakatstil","art-nouveau"],"study":["ウィリアム・ニコルソン","ジェームズ・プライド","ザッハプラカートへの影響"],"en":{"essence":"Nicholson and Pryde's cut-paper poster style: contours dropped, subjects summarized in flat shapes of few colors. Commercially unsuccessful in its day, its radical economy anticipated the 20th-century poster.","cues":["Flat cut-paper shapes","Omitted contours","Large fields of few colors","Boldness that looked unfinished"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["William Nicholson","James Pryde","its influence on the Sachplakat"]}}