{"id":"beggarstaffs","no":249,"name":"Beggarstaff Style","ja":"ベガースタッフ・スタイル","era":"1894–1899","family":"広告ポスター","kind":"スタイル","collection":"Dictionary expansion 14","addedAt":"2026-08-18","source":{"title":"The Fitzwilliam Museum — Beggarstaffs","url":"https://fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/beggarstaffs-william-nicholson-and-james-pryde"},"reference":{"status":"verified","pageUrl":"https://fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/beggarstaffs-william-nicholson-and-james-pryde","credit":"The Fitzwilliam Museum — Beggarstaffs","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/PP%20D257%20poster%20by%20the%20brothers%20beggarstaff%20for%20lyceum%20don%20quixote.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:PP%20D257%20poster%20by%20the%20brothers%20beggarstaff%20for%20lyceum%20don%20quixote.jpg","credit":"ベガースタッフ兄弟『ドン・キホーテ』ポスター 1895 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/PP%20D261%20poster%20by%20the%20brothers%20beggarstaff%20for%20harper's%20magazine.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:PP%20D261%20poster%20by%20the%20brothers%20beggarstaff%20for%20harper's%20magazine.jpg","credit":"『Harper's Magazine』ポスター 1895 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Beggarstaffs%20Hamlet.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Beggarstaffs%20Hamlet.jpg","credit":"ベガースタッフ兄弟《Hamlet》ポスター — Wikimedia Commons / Public domain"}]},"essence":"ニコルソンとプライドが切り紙で組み立てた、輪郭を省き平面色の形だけで対象を要約するポスター様式。当時は売れなかったが、その大胆な省略が20世紀ポスターの先駆になった。","cues":["切り紙による平面形","輪郭線の省略","少数色の大きな面","未完成に見える大胆さ"],"intents":["反骨","静けさ","高級"],"works":["遠くから一瞬で識別させたい公演ポスターや店舗のサイン計画","少ない色で強い輪郭をつくるブランドマークや書籍の装丁"],"recipe":{"type":"文字も切り紙で起こし、地の色面と同じ厚みを持つ形として扱う","layout":"対象を紙面の半分まで大きく取り、余白は切り残しで決める","material":"色紙を鋏で切り、貼る位置を動かして最小の形数まで減らす"},"avoid":"輪郭線を足して形を説明し直すと、省略が生んでいた緊張が消え、色数の少ない普通の絵になる。","colors":["#cca977","#71503e","#2d2d2c"],"motif":"graphic","pair":["plakatstil","art-nouveau"],"study":["ウィリアム・ニコルソン","ジェームズ・プライド","ザッハプラカートへの影響"],"en":{"essence":"Nicholson and Pryde's cut-paper poster style: contours dropped, subjects summarized in flat shapes of few colors. Commercially unsuccessful in its day, its radical economy anticipated the 20th-century poster.","cues":["Flat cut-paper shapes","Omitted contours","Large fields of few colors","Boldness that looked unfinished"],"works":["Posters and shop signage that must register instantly from a distance","Book jackets and marks needing one strong silhouette in very few colors"],"recipe":{"type":"Cut the letters from paper too, treating them as shapes not type","layout":"Let the subject fill half the sheet and set margins by trimming","material":"Scissors on colored paper, shifting pieces until the shape count drops"},"avoid":"Adding outlines back to explain the shape kills the tension the omission created and leaves an ordinary illustration that merely uses few colors.","study":["William Nicholson","James Pryde","its influence on the Sachplakat"]},"links":{"page":"https://indexstyle.org/styles/beggarstaffs","json":"https://indexstyle.org/api/styles/beggarstaffs","designSpec":"https://indexstyle.org/styles/beggarstaffs/design.md","imagePrompt":"https://indexstyle.org/styles/beggarstaffs/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}