{"id":"beaux-arts","no":213,"name":"Beaux-Arts","ja":"ボザール様式","era":"1830s–1920s","family":"歴史様式","kind":"スタイル","collection":"Dictionary expansion 12","addedAt":"2026-08-18","source":{"title":"The Art Story — Beaux-Arts Architecture","url":"https://www.theartstory.org/movement/beaux-arts-architecture/"},"reference":{"status":"verified","pageUrl":"https://www.theartstory.org/movement/beaux-arts-architecture/","credit":"The Art Story — Beaux-Arts Architecture","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Palais%20Garnier%2C%20escalier%2C%20Paris.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Palais%20Garnier%2C%20escalier%2C%20Paris.jpg","credit":"ガルニエ宮の大階段（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Palais%20Garnier%20Grand%20Escalier%20d'Honneur%20-%20Garnier%201880%20vol2%20plate8.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Palais%20Garnier%20Grand%20Escalier%20d'Honneur%20-%20Garnier%201880%20vol2%20plate8.jpg","credit":"ガルニエ『パリ・オペラ座』図版 1880 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Main%20Concourse%2C%20Grand%20Central%20Terminal%2C%20August%2030%2C%202024%20-%20001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Main%20Concourse%2C%20Grand%20Central%20Terminal%2C%20August%2030%2C%202024%20-%20001.jpg","credit":"グランド・セントラル駅 メインコンコース（ニューヨーク） — Wikimedia Commons / CC0"}]},"essence":"パリの美術学校（エコール・デ・ボザール）が教えた古典の学術的合成。壮大な軸線、彫刻的装飾、格式の階梯を鉄とガラスの新技術に重ね、駅・美術館・銀行など近代都市の公共の顔をつくった。","cues":["壮大な軸線と階段","古典オーダーの合成","彫刻的装飾","鉄骨と石の併用"],"intents":["信頼","高級","高揚"],"works":["駅や美術館など、大量の人が動く公共建築に格式を与えるとき","新しい構造を、既存の街並みへ古典の語彙で接続したいとき"],"recipe":{"type":"ローマン大文字を、エンタブラチュアの帯に深く彫り込む","layout":"主軸を通し、動線に沿って階段と広間の格を段階的に上げる","material":"石の外皮の内側に鉄骨。内部は大理石と彫刻で仕上げる"},"avoid":"様式の部品を全面へ均等に配り、軸線と階梯がないため、どこが格の高い場所か読めなくなる。","colors":["#ebdbbf","#326971","#201b1c"],"motif":"architecture","pair":["palladian-architecture","art-deco"],"study":["シャルル・ガルニエ","シカゴ万博 1893","マッキム・ミード&ホワイト"],"en":{"essence":"The academic synthesis of the classical taught at the École des Beaux-Arts in Paris. Grand axes, sculptural ornament and a hierarchy of formality were laid over the new technologies of iron and glass, giving the modern city its public face in stations, museums and banks.","cues":["Grand axes and staircases","Synthesized classical orders","Sculptural ornament","Stone over iron structure"],"works":["Giving formal order to a station or museum where crowds have to move","Joining a new structure to an existing street using classical vocabulary"],"recipe":{"type":"Roman capitals carved deep into the band of the entablature","layout":"One main axis, stairs and halls rising in formality along the route","material":"An iron frame inside a stone skin, interiors of marble and sculpture"},"avoid":"Spreading classical parts evenly over every surface with no axis and no hierarchy, so nobody can tell which room is the important one.","study":["Charles Garnier","the 1893 Chicago World's Fair","McKim, Mead & White"]},"links":{"page":"https://indexstyle.org/styles/beaux-arts","json":"https://indexstyle.org/api/styles/beaux-arts","designSpec":"https://indexstyle.org/styles/beaux-arts/design.md","imagePrompt":"https://indexstyle.org/styles/beaux-arts/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}