{"id":"batik","no":211,"name":"Batik","ja":"バティック（ジャワ更紗）","era":"traditional–present","family":"染織の伝統","kind":"技法","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"UNESCO — Indonesian Batik","url":"https://ich.unesco.org/en/RL/indonesian-batik-00170"},"reference":{"status":"verified","pageUrl":"https://ich.unesco.org/en/RL/indonesian-batik-00170","credit":"UNESCO — Indonesian Batik","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/COLLECTIE%20TROPENMUSEUM%20Interieur%20van%20een%20batik-werkplaats%20TMnr%2010014223.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:COLLECTIE%20TROPENMUSEUM%20Interieur%20van%20een%20batik-werkplaats%20TMnr%2010014223.jpg","credit":"バティック工房（トロペン博物館、CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Batik%20Artisan%20Applying%20Wax%20with%20Canting%20in%20Trusmi%20Cirebon%20Indonesia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Batik%20Artisan%20Applying%20Wax%20with%20Canting%20in%20Trusmi%20Cirebon%20Indonesia.jpg","credit":"チャンティンで蝋を置く職人（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/COLLECTIE%20TROPENMUSEUM%20Vrouwen%20bezig%20met%20batik%20werk%20Midden-Java%20TMnr%2010014205.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:COLLECTIE%20TROPENMUSEUM%20Vrouwen%20bezig%20met%20batik%20werk%20Midden-Java%20TMnr%2010014205.jpg","credit":"中部ジャワのバティック制作（CC BY-SA 3.0）"}]},"essence":"蝋で防染しながら何度も染め重ねるジャワの布で、チャンティンの線が生む文様体系は身分・地域・儀礼の言語でもある。","cues":["蝋防染のひび","チャンティンの線","藍と茶の重ね染め","文様の意味体系"],"intents":["高級","親密","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"archive","pair":["wayang","paper-marbling"],"study":["パラン文様と宮廷の規制","ソロとジョグジャの様式差","沿岸バティックの多文化性"],"en":{"essence":"Java's cloth dyed again and again through wax resist — the canting's drawn line building a pattern language of rank, region and rite.","cues":["Crackle of the wax resist","The canting's line","Layered indigo and soga brown","A semantic pattern system"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Parang patterns and court restriction","Solo versus Yogyakarta styles","the multicultural coastal batiks"]}}