{"id":"batik","no":186,"name":"Batik","ja":"バティック（ジャワ更紗）","era":"traditional–present","family":"染織の伝統","kind":"技法","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"UNESCO — Indonesian Batik","url":"https://ich.unesco.org/en/RL/indonesian-batik-00170"},"reference":{"status":"verified","pageUrl":"https://ich.unesco.org/en/RL/indonesian-batik-00170","credit":"UNESCO — Indonesian Batik","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Batik%20Artisan%20Applying%20Wax%20with%20Canting%20in%20Trusmi%20Cirebon%20Indonesia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Batik%20Artisan%20Applying%20Wax%20with%20Canting%20in%20Trusmi%20Cirebon%20Indonesia.jpg","credit":"チャンティンで蝋を置く職人（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/COLLECTIE%20TROPENMUSEUM%20Vrouwen%20bezig%20met%20batik%20werk%20Midden-Java%20TMnr%2010014205.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:COLLECTIE%20TROPENMUSEUM%20Vrouwen%20bezig%20met%20batik%20werk%20Midden-Java%20TMnr%2010014205.jpg","credit":"中部ジャワのバティック制作（CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Indonesia%2C%20Java%2C%20North%20Coast%2C%20Indramaju%20%3F%2C%20mid-19th%20century%20-%20Sarong%20-%201917.26%20-%20Cleveland%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Indonesia%2C%20Java%2C%20North%20Coast%2C%20Indramaju%20%3F%2C%20mid-19th%20century%20-%20Sarong%20-%201917.26%20-%20Cleveland%20Museum%20of%20Art.jpg","credit":"ジャワ北岸のバティック・サロン 19世紀半ば クリーブランド美術館 — Wikimedia Commons / CC0"}]},"essence":"蝋で防染しながら何度も染め重ねるジャワの布で、チャンティンの線が生む文様体系は身分・地域・儀礼の言語でもある。","cues":["蝋防染のひび","チャンティンの線","藍と茶の重ね染め","文様の意味体系"],"intents":["高級","親密","静けさ"],"works":["布や壁紙に、手描きの線でしか出ない密度の文様を入れたいとき","文様が身分や地域を示す前提を守って、正装や式典の布を作る仕事"],"recipe":{"type":"文字を入れるなら文様の格子に従わせ、地の反復を切らない","layout":"布全体を文様の単位で割り、縁と中央で文様の格を変える","material":"蝋で防染してから藍と茶を重ね、ひび割れの線を残して洗う"},"avoid":"文様を意味と切り離して柄として使うと、着る場や相手を選ぶ前提が外れ、礼を欠いた布になる。","colors":["#e8dcc2","#7a4a26","#22354f"],"motif":"archive","pair":["wayang","paper-marbling"],"study":["パラン文様と宮廷の規制","ソロとジョグジャの様式差","沿岸バティックの多文化性"],"en":{"essence":"Javanese cloth resisted with wax and dyed over and over again. The line drawn by the canting builds a pattern system that also speaks of rank, region and rite.","cues":["Crackle of the wax resist","The canting's line","Layered indigo and soga brown","A semantic pattern system"],"works":["Cloth and wallpaper needing a density only a drawn line produces","Formal and ceremonial textiles that respect what each pattern signifies"],"recipe":{"type":"Any lettering follows the pattern grid and never breaks the repeat","layout":"Divide the whole cloth into pattern units, change rank at the border","material":"Wax resist, then layered indigo and brown, washed keeping the crackle"},"avoid":"Using the patterns as decoration detached from meaning ignores who may wear them and on what occasion, which turns the cloth discourteous.","study":["Parang patterns and court restriction","Solo versus Yogyakarta styles","the multicultural coastal batiks"]},"links":{"page":"https://indexstyle.org/styles/batik","json":"https://indexstyle.org/api/styles/batik","designSpec":"https://indexstyle.org/styles/batik/design.md","imagePrompt":"https://indexstyle.org/styles/batik/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}