{"id":"baroque","no":211,"name":"Baroque","ja":"バロック","era":"1600–1750","family":"歴史様式","kind":"スタイル","collection":"Dictionary expansion 12","addedAt":"2026-08-18","source":{"title":"The National Gallery — Baroque","url":"https://www.nationalgallery.org.uk/paintings/glossary/baroque"},"reference":{"status":"verified","pageUrl":"https://www.nationalgallery.org.uk/paintings/glossary/baroque","credit":"The National Gallery — Baroque","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Baldaquin%20Bernin%20Saint-Pierre%20Vatican.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Baldaquin%20Bernin%20Saint-Pierre%20Vatican.jpg","credit":"ベルニーニ サン・ピエトロ大聖堂のバルダッキーノ — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/G.B.Gaulli-Triumph%20of%20the%20Name%20of%20Jesus.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:G.B.Gaulli-Triumph%20of%20the%20Name%20of%20Jesus.jpg","credit":"ガウッリ イル・ジェズ聖堂天井画 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Chateau%20Versailles%20Galerie%20des%20Glaces.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Chateau%20Versailles%20Galerie%20des%20Glaces.jpg","credit":"ヴェルサイユ宮殿 鏡の間（CC BY-SA 3.0）"}]},"essence":"楕円・曲面・劇的な光と過剰な装飾で観る者を巻き込む総合芸術の様式。建築・彫刻・絵画・都市計画を一体の演出として扱い、権力と信仰をスペクタクルに変えた。","cues":["楕円と曲面","劇的な光","天井画の錯視","建築と彫刻の融合"],"intents":["高揚","高級","信頼"],"works":["劇場や祝祭の空間で、入った瞬間の圧倒を意図して設計するとき","見上げさせる仕掛けをつくり、空間を実際より高く感じさせるとき"],"recipe":{"type":"文字を曲面と帯に沿わせ、水平の行としては置かない","layout":"楕円を平面の主軸にし、視線を一点に絞ってから開放する","material":"金と濃色の対比。隠した窓からの側光で立体を彫る"},"avoid":"装飾の量だけを増やして光の道筋を設計せず、豪華でありながら見せ場のない均質な過剰になる。","colors":["#e6dcc8","#97804b","#302015"],"motif":"architecture","pair":["rococo","chiaroscuro"],"study":["ベルニーニとボッロミーニ","対抗宗教改革の視覚戦略","バロック都市計画"],"en":{"essence":"A total art that draws the viewer in with ovals, curved surfaces, dramatic light and an excess of ornament. Architecture, sculpture, painting and city planning were handled as one staging, turning power and faith into spectacle.","cues":["Ovals and curved surfaces","Dramatic light","Illusionistic ceilings","Architecture fused with sculpture"],"works":["Theatres and festival spaces designed around the shock of entering","Making a room read taller than it is by pulling the eye upward"],"recipe":{"type":"Run lettering along curved surfaces and bands, never as level lines","layout":"An oval as the main axis, funneling the eye before releasing it","material":"Gold against deep color, hidden side windows carving the relief"},"avoid":"Multiplying ornament without designing where the light travels, producing an even excess that is rich and has no climax.","study":["Bernini and Borromini","the visual strategy of the Counter-Reformation","Baroque urban planning"]},"links":{"page":"https://indexstyle.org/styles/baroque","json":"https://indexstyle.org/api/styles/baroque","designSpec":"https://indexstyle.org/styles/baroque/design.md","imagePrompt":"https://indexstyle.org/styles/baroque/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}