{"id":"bakst-stage-design","no":243,"name":"Bakst Stage Design","ja":"バクストの舞台美術","era":"1909-1914","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Victoria and Albert Museum, Diaghilev and the Ballets Russes","url":"https://www.vam.ac.uk/articles/diaghilev-and-the-ballets-russes"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/articles/diaghilev-and-the-ballets-russes","credit":"Victoria and Albert Museum, Diaghilev and the Ballets Russes","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Set%20design%20for%20ballet%20%22Les%20Orientales%22%20by%20Leon%20Bakst.%20Premiered%20in%20Paris%20in%201910.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Set%20design%20for%20ballet%20%22Les%20Orientales%22%20by%20Leon%20Bakst.%20Premiered%20in%20Paris%20in%201910.jpg","credit":"バクスト『レ・ゾリアンタル』舞台美術 1910 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ballets%20Russes%20program%20-%20design%20for%20Nijinsky%20in%20%E2%80%9CLa%20Peri%E2%80%9D%20by%20Leon%20Bakst%20-%201912.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ballets%20Russes%20program%20-%20design%20for%20Nijinsky%20in%20%E2%80%9CLa%20Peri%E2%80%9D%20by%20Leon%20Bakst%20-%201912.jpg","credit":"バクスト ニジンスキーの衣裳デザイン 1912 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/A%20Boetian%20Costume%20(Ballets%20Russes)%20by%20L.%20Bakst.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:A%20Boetian%20Costume%20(Ballets%20Russes)%20by%20L.%20Bakst.jpg","credit":"バクストの衣裳デザイン — Wikimedia Commons / Public domain"}]},"essence":"舞台の装置と衣裳を、画家の描いた一枚絵として組み替えた仕事。宝石のように濃い色を重ね、渦を巻く曲線と東方趣味の柄で、踊る身体ごと図案にした。","cues":["宝石のように濃い色の取り合わせ","柄の上に柄を重ねた衣裳","渦を巻くアール・ヌーヴォーの曲線","東方趣味の頭飾りとゆるい袴"],"intents":["高揚","高級","遊び"],"works":["舞台美術と衣裳を、演目の主役として先に決めて制作するとき","一つの公演を、色彩の記憶で語られる出来事にしたいとき"],"recipe":{"type":"番組表と幕は同じ画家の手で、書体まで美術に合わせる","layout":"背景幕を平面の模様として扱い、衣裳の動きで奥行を出す","material":"飽和した染めの布、金銀、東方の文様を大柄で使う"},"avoid":"色数と模様を増やすだけで舞台と衣裳の対比を決めないと、踊り手が背景に溶け、動きが見えなくなる","colors":["#ece0be","#7e2e24","#343536"],"motif":"display","pair":["art-nouveau","art-deco"],"study":["レオン・バクスト","セルゲイ・ディアギレフ","1920年代モードへの影響"],"en":{"essence":"Sets and costumes rebuilt as a painter's single picture. Jewel-deep colors laid over one another, with swirling curves and orientalist pattern drawing the dancing body itself into the design.","cues":["Combinations of jewel deep color","Pattern laid over pattern in the costumes","Swirling Art Nouveau curves","Orientalist headdresses and loose trousers"],"works":["Setting design and costume first, as the leading element of a production","Making one performance an event remembered through its color"],"recipe":{"type":"Programme and curtain from the same hand, lettering matched to the sets","layout":"Treat the backdrop as flat pattern and let costume movement supply depth","material":"Saturated dyed fabric, gold and silver, oriental motifs at large scale"},"avoid":"Adding colors and patterns without deciding the contrast between set and costume dissolves the dancer into the backdrop and the movement disappears.","study":["Léon Bakst","Sergei Diaghilev","its influence on 1920s fashion"]}}