{"id":"art-informel","no":430,"name":"Art Informel","ja":"アンフォルメル","era":"1945–1960","family":"戦後抽象絵画","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Art Informel","url":"https://www.tate.org.uk/art/art-terms/a/art-informel"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/a/art-informel","credit":"Tate — Art Terms: Art Informel","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Wols%20composition%201507416.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Wols%20composition%201507416.jpg","credit":"Wols によるコンポジション — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"戦後ヨーロッパで、幾何学的な構成も具象も拒み、物質と行為の痕跡そのものを画面にした抽象。厚く盛られた絵具、掻き傷、滲み、破れが、形になる前の状態を提示する。素材の物質感を前面に出す設計の源流。身振りの速さを見るときはタシスム、叙情の側を見るときはリリカル・アブストラクションと、同じ絵の別の面を指す名が並び立つ。","cues":["厚塗りと掻き傷の痕跡","形を成さない滲み","土と灰の色域","支持体の破れと露出"],"intents":["技術","遊び","懐かしさ"],"works":["音源やZINEの表紙で、内容の重さを絵柄でなく物質感で伝えたいとき","手仕事の工房やギャラリーの案内で、完成品より過程を前に出したいとき"],"recipe":{"type":"文字は少なく大きく置き、面の傷に一部を埋もれさせる","layout":"中心を決めず、画面の端まで層を続けて余白を作らない","material":"厚みのある紙に土と灰の色を盛り、乾く前に掻き取って破る"},"avoid":"汚しの層を効果として足すだけだと、絵具の厚みが背景の模様に落ち、何を伝える紙面なのか分からなくなる。","colors":["#d9bbaf","#7e6145","#1f0907"],"motif":"graphic","pair":["tachisme","gutai"],"study":["タピエによる命名","アメリカの抽象表現主義との差","具体美術協会との交流"],"en":{"essence":"A postwar European abstraction that refused both geometric composition and figuration, making the surface out of matter and the traces of the act itself. Thickly piled paint, scratches, stains and tears present a state before form. The source of all design that pushes the physicality of material to the front. Tachisme names the same paintings seen from the speed of the gesture, and Lyrical Abstraction names them seen from the lyric side.","cues":["Traces of impasto and scratching","Stains that never settle into form","A range of earth and ash tones","Tears and exposure of the support"],"works":["Texture-led art direction for craft, ceramics or fashion houses","Cover art and interiors where raw matter carries the emotion"],"recipe":{"type":"Few words set large, part of them buried in the scratched surface","layout":"Centreless fields running to the edge, composed by density rather than by figure","material":"Impasto, plaster and tar in earth and ash tones on thick paper, scraped and torn"},"avoid":"Avoid faking the texture with clean digital filters—the style lives on real material resistance, and simulated grunge reads instantly as decor.","study":["The naming by Michel Tapié","The difference from American Abstract Expressionism","The exchange with the Gutai group"]},"links":{"page":"https://indexstyle.org/styles/art-informel","json":"https://indexstyle.org/api/styles/art-informel","designSpec":"https://indexstyle.org/styles/art-informel/design.md","imagePrompt":"https://indexstyle.org/styles/art-informel/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}