{"id":"aesthetic-movement","no":526,"name":"Aesthetic Movement","ja":"唯美主義運動","era":"1870s–1880s","family":"家具とインテリア","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: Aesthetic Movement (300018124)","url":"https://vocab.getty.edu/page/aat/300018124"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300018124","credit":"Getty Research Institute — Art & Architecture Thesaurus: Aesthetic Movement (300018124)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Peacock%20Room%20at%20Freer%20Gallery%20of%20Art%2002.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Peacock%20Room%20at%20Freer%20Gallery%20of%20Art%2002.jpg","credit":"ジェームズ・マクニール・ホイッスラー《ピーコック・ルーム（青と金のハーモニー）》1876–77年 フリーア美術館 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Cabinet%2C%20Herter%20Brothers%2C%20New%20York%2C%20c.%201872%2C%20ebonized%20cherry%2C%20mahogany%2C%20butternut%2C%20satinwood%2C%20other%20woods%2C%20painted%20-%20Brooklyn%20Museum%20-%20DSC09512.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Cabinet%2C%20Herter%20Brothers%2C%20New%20York%2C%20c.%201872%2C%20ebonized%20cherry%2C%20mahogany%2C%20butternut%2C%20satinwood%2C%20other%20woods%2C%20painted%20-%20Brooklyn%20Museum%20-%20DSC09512.JPG","credit":"ハーター兄弟商会《キャビネット》1872年頃 ブルックリン美術館 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Drawing-Room%20Cabinet%2C%201871-1872%2C%20designed%20by%20Bruce%20James%20Talbert%2C%20made%20by%20Gillow%20%26%20Co.%2C%20various%20woods%2C%20gilding%2C%20lacquered%20brass%20-%20Art%20Institute%20of%20Chicago%20-%20DSC09867.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Drawing-Room%20Cabinet%2C%201871-1872%2C%20designed%20by%20Bruce%20James%20Talbert%2C%20made%20by%20Gillow%20%26%20Co.%2C%20various%20woods%2C%20gilding%2C%20lacquered%20brass%20-%20Art%20Institute%20of%20Chicago%20-%20DSC09867.JPG","credit":"ブルース・ジェイムズ・タルバート設計、ギロー商会製《応接間のキャビネット》1871–1872年 シカゴ美術館 — Wikimedia Commons / CC0"}]},"essence":"1870年代から80年代の英米で、絵画から家具・織物・建築まで貫いた運動。「芸術のための芸術」を掲げ、教訓や物語や主題の重さより、美それ自体の自立した価値を上に置いた。だから装飾が何かを語らず、面の調和だけで決まる。","cues":["向日葵と百合が、器にも布にも室内にも同じ形で繰り返し現れる","オリーヴ緑と黄を寄せた色域。暗い赤とクリームが黒地の上で組む","日本の意匠を平らな繰り返し文様に直したもの。丸い竹、様式化した花形、垂れる葉が地の格子文の上に載る","青と白の中国磁器が室内に並べられ、器そのものが装飾の一部として置かれる"],"intents":["高級","静けさ","反骨"],"works":["意味を負わせない装飾を作るとき、モチーフを物語から切り離して平らな繰り返しに直す","画面全体をひとつの色域でまとめたいとき、緑と黄の中間を基準に置いて他の色をそこへ寄せる"],"recipe":{"type":"文字も装飾のひとつとして扱い、意味を強めない。細い線の書体を、文様と同じ間隔で繰り返し置く。","layout":"壁・布・器を同じ文様体系で覆い、主役と背景の区別をつけない。繰り返しの単位は小さく保つ。","material":"オリーヴ緑と黄の中間を基調に、暗い赤・クリーム・黒地。向日葵と百合、様式化した植物を陰影のない平らな面として置く。"},"avoid":"向日葵と百合を記号として貼るだけでは、装飾を主題より上に置くという主張が抜けて、ただのヴィクトリア朝の柄物になる。","colors":["#7C8B3E","#7A2E2A","#E8DFC6"],"motif":"graphic","pair":["japonisme","victorian-ornament"],"study":["1880年前後の英国の家具用織物で、繰り返しの単位と地の格子文がどう噛み合っているか見る","1881年のギルバートとサリヴァンの喜歌劇『ペイシェンス』が、この運動の何を笑ったのかを調べる","デュ・モーリアが1873年から1881年にパンチ誌へ載せた風刺画から、当時どう見られていたかを確かめる"],"en":{"essence":"A British and American movement of the 1870s and 1880s that ran through painting, furniture, textiles and architecture alike. Following art for art's sake, it put beauty and the independent value of art above didactic purpose, narrative content or weighty subject matter. Ornament therefore says nothing, and every decision is settled on the harmony of the surface.","cues":["Sunflowers and lilies recurring in the same form on ceramics, on textiles and in the room itself","A palette pulled toward olive green and yellow, with dark red and cream set against black grounds","Japanese motifs flattened into repeats: circular bamboo, stylised rosettes and trailing leaves over a lozenge patterned ground","Blue and white Chinese porcelain arranged in the room, the vessels themselves treated as part of the decoration"],"works":["Designing ornament that is not meant to signify, by cutting motifs loose from narrative and flattening them into repeats","Tying a whole layout to one colour family, taking a point between green and yellow as the anchor and pulling everything else toward it"],"recipe":{"type":"Treat lettering as one more ornament and keep it from asserting meaning. Use a light face and repeat it on the same interval as the pattern.","layout":"Cover wall, cloth and vessel with one pattern system so that figure and ground stop separating. Keep the repeat unit small.","material":"A base between olive green and yellow, with dark red, cream and black grounds. Sunflowers, lilies and stylised plants laid down flat, with no modelling."},"avoid":"Pasting on sunflowers and lilies as signs drops the actual claim, that ornament outranks subject, and leaves ordinary Victorian patterning.","study":["how the repeat unit meshes with the ground grid in British furnishing textiles of around 1880","what Gilbert and Sullivan's 1881 comic opera Patience was laughing at in the movement","how it was seen at the time, from du Maurier's cartoons in Punch between 1873 and 1881"]}}