{"id":"action-painting","no":675,"name":"Action Painting","ja":"アクション・ペインティング","sourceSlug":"action-painting","era":"late 1940s–1960s","family":"戦後アメリカ美術","kind":"スタイル","essence":"画面を完成図の受け皿ではなく、描く身体が通過した出来事の記録として扱う抽象絵画。滴下、投擲、引っかき、太い一筆、塗り直しを隠さず残し、線の形より速度、重さ、間合いを見せる。","cues":["滴下、飛沫、垂れが重力の方向を残す","腕や身体の可動域が読める長い筆致","下描きより重ね、削り、塗り直しの時間が前に出る","中心図像を置かず、画面全体へ密度と空白を配る"],"intents":["高揚","反骨"],"pair":["abstract-expressionism","color-field-painting"],"study":["Harold Rosenberg and the action-painting label","Jackson Pollock, Franz Kline and Joan Mitchell","gesture, gravity and the painted event"],"works":["身体の速度やためらいを、完成した図形でなく痕跡として見せる大画面","舞台、映像、広告で、一回の身振りを主役にした抽象的な背景を作るとき"],"recipe":{"type":"文字は描画後に小さく置き、筆致を模した既成フォントで勢いを代用しない。","layout":"床か大きな壁面を使い、中心を先に決めず、身体の到達範囲と休止する空白を交互に残す。","material":"粘度の違う塗料、平刷毛、棒、滴下容器を使い、乾燥時間と重力による垂れを工程へ含める。"},"avoid":"飛沫ブラシを画面全体へ均等に散らすと、身体の順序も重さもない背景模様になる。床、周囲、人への飛散を養生し、使用材料と換気も確認する。","colors":["#E7E1D5","#262421","#A74D39"],"motif":"gesture","collection":"Dictionary expansion 38","addedAt":"2026-08-23","source":{"title":"MoMA — Action Painting","url":"https://www.moma.org/collection/terms/action-painting"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/action-painting","credit":"MoMA — Action Painting"},"en":{"essence":"An abstract-painting style that treats the surface as a record of the body's passage rather than a container for a predetermined image. Drips, throws, scrapes, broad strokes, and repainting preserve speed, weight, pause, and sequence.","cues":["Drips, splashes, and runs retaining gravity","Long strokes that reveal the reach of an arm or body","Layers, scraping, and repainting left visible","Density and open intervals distributed without a central figure"],"works":["Making bodily speed and hesitation visible as traces rather than finished geometry","Building an abstract stage, motion, or campaign field around one physical gesture"],"recipe":{"type":"Add small type after painting; do not substitute a brush-script font for physical motion.","layout":"Work on a floor or large wall without fixing the center first, alternating the body's reach with intervals of rest.","material":"Use paints of different viscosities, broad brushes, sticks, and pouring tools; include drying time and gravity in the process."},"avoid":"A uniform splatter brush produces background texture without bodily sequence or weight. Protect the room and people, and verify ventilation and material safety.","study":["Harold Rosenberg and the action-painting label","Jackson Pollock, Franz Kline and Joan Mitchell","gesture, gravity and the painted event"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}