{"id":"abstract-expressionism","no":124,"name":"Abstract Expressionism","ja":"抽象表現主義","era":"1940s–1950s","family":"戦後アメリカ美術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Abstract Expressionism","url":"https://www.moma.org/collection/terms/abstract-expressionism"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/abstract-expressionism","credit":"MoMA — Abstract Expressionism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Sabra%20(1966)%20-%20Franz%20Kline%20(1910-1962)%20(31087622617).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Sabra%20(1966)%20-%20Franz%20Kline%20(1910-1962)%20(31087622617).jpg","credit":"フランツ・クライン《Sabra》（ベラルド・コレクション） — Wikimedia Commons / CC BY 2.0"}]},"essence":"巨大な画面、身体的な筆触、滴り、染み、広い色面を用い、再現対象ではなく制作行為と強い内的感情を画面へ残す。","cues":["大画面","身体的な筆触","オールオーバー","滴りと染み"],"intents":["高揚","反骨","静けさ"],"works":["大画面で感情の強度を前に出す、コンサートや演劇のキーヴィジュアル","抽象の背景を一点だけ大きく敷き、書名や社名を載せる装丁"],"recipe":{"type":"文字は少数の語に絞り、絵の呼吸を止めない位置へ置く","layout":"中心を作らず、画面の端まで筆の密度を行き渡らせる","material":"大判の支持体へ厚塗りと流し込みを重ね、滴りの跡を残す"},"avoid":"絵具を勢いよく散らす装飾へ単純化せず、作家ごとの方法、戦後の政治、規模と身体の関係を読む。密度も判断の記録も生まれなければ、汚れた背景にしかならない。","colors":["#ddd4c5","#8d5541","#252221"],"motif":"painting","pair":["gutai","color-field-painting"],"study":["Lee Krasner","Jackson Pollock","Norman Lewis","Willem de Kooning"],"en":{"essence":"On huge canvases, with bodily strokes, drips, stains and broad fields of color, what stays on the surface is the act of painting and strong inner feeling rather than a depicted subject.","cues":["Vast canvases","Bodily brushwork","All-over composition","Drips and stains"],"works":["Key visuals for concerts and theatre where emotional intensity has to arrive first","Book covers where one huge abstract ground carries the title alone"],"recipe":{"type":"Keep words to a few and place them clear of the paint","layout":"Refuse a center and carry stroke density to every edge","material":"Thick paint and poured washes on a large support, drips left visible"},"avoid":"Scattering energetic strokes as decoration skips each artist's method, the postwar politics and the tie between scale and body, and with neither density nor a record of decisions it reads as a dirty backdrop.","study":["Lee Krasner","Jackson Pollock","Norman Lewis","Willem de Kooning"]},"links":{"page":"https://indexstyle.org/styles/abstract-expressionism","json":"https://indexstyle.org/api/styles/abstract-expressionism","designSpec":"https://indexstyle.org/styles/abstract-expressionism/design.md","imagePrompt":"https://indexstyle.org/styles/abstract-expressionism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}